Baker continues… February 25, 2011

… to poke around the ins and outs of Pietmond, attempting to justify his continued existence there.

He tries to step into the shoes of Ticky Bill, see what he sees from his upstairs quarters in Lime House. He looks directly across the tops of CHRO and SoSo toward Orange House, Baker’s present home in Pietmond and one he can’t seem to be pried away from.

Uneven sidewalk (No Way) outside Lime House. Could this be considered the “bad” side of town? Probably not, but just asking.

Baker decides to stroll up to House Greenup while on No Way. Checking the link back to Gallery Jack inside, he realizes he hasn’t been in this house in perhaps several months, which the cobwebs attest to.

Such a nice location for no one to visit.

He opens “Floydodo” placed on a small table underneath the stairs of House Greenup and reads a passage he’s been thinking about lately. Baker ponders: “Is *this* the forbidden knowledge Peter sought in trying to understand the town’s central labyrinth?”

The beds and the assoc. green and red alexandrite jewels would also represent the master synchs Billfork (red) and SID’s 1st Oz, as directly tied also into the symbolism of the two Boulder parks Frank and Herman. At first, it was thought that Billfork was more the appropriate symbol of Frank Park but further inspection caused the roles to be reversed – SID’s 1st Oz became the synchronicity of high Price, while Billfork became the truly Price-less one. At least in terms of gold tilings. As Pierre’s center of the USA is also directly attached to Billfork, the eyeball here would also represent Pierre as aware of the connection of Billfork to this center. The eyeball (Pierre) is now aware of the relationship of Billfork to SID’s 1st Oz.

Baker tries hard to remember but can’t: What is Billfork? Wasn’t that the original name of Pietmond? No, that was Pitchfork. But the names seem too similar.

Baker then googles “billfork” and finds that it is synonymous with a pitchfork, like the Devil’s prodder.

It’s happening again.

30x30x30 is correct for the 10×10 February 24, 2011

Baker Bloch, along with me, thinks, “I got it right the first time.”

If the Edwardston Station Gallery can’t be in the middle of Big Sink, the middle of Blackmount Sink is as good as any location for it. The 30x30x30 cube turned out to be the right venue for my “Art 10×10”.

It flitted across my mind just a minute ago to think about downsizing in SL, which means essentially giving up Pietmond. What would that do? Well, it would still leave me with the ESG, cube version (in 2 separate locations in SL now). It would perhaps leave me with Pietmond South. Maybe. I would still keep the Pietmond South Gallery, perhaps adding the collections of SoSo West, Norum, Something to CHRO About, and so on to it. I might keep Gallery Jack, inserting it next door as a memorial to Pietmond (in place of the Home o’ Fibs).

Maybe advertise the last month of Pietmond sometime soon. Hiking season is upon me. My focus will be outdoors at least till the end of May/beginning of June. I can rent additional space, then. And, gasp, I can actually *sell* the land of Otaki Gorge.

But all this is just speculation. I may not give up anything.

Pietmond is about emergence from the enclosed, island-like self into a peninsula self, beginning, really, with SoSo in early December. And connected with this it’s about TILE. I’ve been attempting to explain to Mike C. in more recent emails to him about the design of the labyrinth in the center of the TILE Temple, and how it is a direct representation of Dark Side of the Rainbow.

TILE is more than just the outer 4 colors of this labyrinth (red, green, blue, yellow), which add up to 26 units or separate tiles themselves, correlating with the 26 English alphabet letters. It has to have 10 more to complete, or the numbers 1-10 to make 36 total. The 36-Square is one display of this concept, the 36-Triangle another. Each contains truths and lies about the whole, which is beyond both.

Mouseview from Peter’s Rock: Baker walked the labyrinth, keeping the DSotR correlations in mind. He’s happier now.

JCCS November 3, 2010

“We know several, additional things now. We know that the Art Line controls a Meander appearing Coast-to-Coast. Remember The Valley of Nye and the comparison with the Martian Valles Marineris? We know this has something to do with the Art Line, perhaps even caused by it (or visa versa?). This is deep stuff, literally and figuratively. We know The Bill are involved. HEC Canyon.

“The Line controls The Meander. However, there are additional controls set up. The Line builds up to the Gallery Jack which is the same as Jack County County Seat. JCCS for short.

“You can ask questions now.”

bb:

Can Gallery Jack move up and down The Meander? Or across the Art Line?

Hucka D.:

No. Next question. It has to stay put where it is to bridge the two, to calm the jitters of The Meander. It is JCCS.

bb:

OK, thanks. Alright. (pause) What does Monstrous Moonshine have to do with this, and why are the 2 numbers of Chance, when multiplied, 50 short of this legendary number?

Hucka D.:

The Meander is called the Art Meander, actually. What was the question again?

bb:

It was about the relationship of Monstrous Moonshine to Gallery Jack and the meeting of the, um, Art Meander with the Art Line.

Hucka D.:

My bad, it is actually The Meander. A third region has been identifed as well: A Pit. A proposal has been put forth to call these[, actually,] the Science Meander, Art Line, and Religion Pit, but I don’t think it has enough votes to pass.

bb:

What is A Pit?

Hucka D.:

It is the place a fully manifested Jack goes after assimilating the energy of the Gallery experience. It is a depression where Grassy Noll and I, Hucka Doobie, are locked in mortal combat forever and ever. It is the dual source of all.

bb:

Interesting. Hold on…

Hucka D.:

Yes.

bb:

It is related, then.

Hucka D.:

Yes. You had another question?

bb:

Yes, back to Monstrous Moonshine…

Hucka D.:

Oh, right. Well the falling 50 short part is very important indeed. String Theory my friend. Calming The Jitters, The Meander. Science Meander. Art Line calms, leading to Religion Pit, all unofficial names for now, of course.

bb:

Can you tell me, physically, where this Religion Pit is?

Hucka D.:

You know where it is. Third Life. Beyond the First beyond the Second. Third. Jack is within. Giant Jack.

Part 2.

Gallery Jack Updates; Art Line

Added a pie chart representing the “Art 10×10” (alternately, the “Collage 10×10), right in front of the art kiosk in Gallery Jack, where I assume most people have been entering the gallery. A wall version of this basic concept existed at one time in the original Edwardston Station Gallery (see link just below).

Interesting that “pie” keeps coming up in various ways in the blog, and also personal emails.

And as I was just writing someone, this pie chart demonstrates an overall rhythm to the 10×10 that I probably shouldn’t go into in this particular post. Since, for example, I’ve already covered it here in part…

https://bakerblinker.wordpress.com/2009/03/28/we-better-chat-5/

Then this same day I also added a map of Jasper County, Illinois to the very center of the gallery. 6 of the 8 series of the 10×10 take their names from towns within this county, or, in the order they appear in the 10×10, Rose Hill, Yale, Newton, Hidalgo, Wheeler, and then, well, Jasper itself. All these towns appear on the map, and — cool thing — the map Hidalgo lies just beneath the Hidalgo sign within the gallery, and also the Yale name on the map is quite close to the Yale sign at the bottom of one set of stairs.

If I turned the map the other way, Rose Hill town name would similarly be very close to the Rose Hill sign.

The names of two series of the 10×10 do not appear on this Jasper County map, although they are both named for towns that exist not far at all from the borders of this county. This would be Greenup, 1st series of the 10×10, and then Oblong. Not coincidentally, these two series are housed in structures separate from Gallery Jack, or SoSo perched atop Gallery Jack now (Oblong series), and then House Greenup in front of the gallery (Greenup series). What this correctly implies is that Gallery Jack and the series within represents Jasper County itself, especially focused on the northern part of the county where, again *coincidentally*, a latitude event recently discovered called the Art Line passes through. In fact, the very center of this line (39.1) runs through the middle of all these illuminated towns.

Regular readers will know that a large labyrinth exists at the center of Piedmont which Gallery Jack is a part of now. The Art Line happens to be all about labyrinths. Must be some sort of connection don’t you think?? As I told my friend Flynn (friend in SL *and* RL), once I study up on all this, I plan to contact appropriate people associated with this cross country phenomenon and see if my collage project fits into their ideas. Quite exciting really! Flynn is also the one who told me about this Art Line, but neither of us knew that a connection existed with the 10×10 at the time.

*****

http://www.sfweekly.com/2004-12-01/news/a-winding-path/

http://www.labyrinthos.net/

Gallery Jack/SoSo added to Pietmond… October 24, 2010

On hill to west, overlooking the town proper. Inside, again, are 4 of the 6 art/collage 10×10 series. The 5th lies in the SoSo gallery still sitting atop Gallery Jack, like it did in Orions Vale (I had to give up that land for this land). But I believe the name SoSo is best absorbed into Gallery Jack.

House Greenup (right), containing the original and remaining series, is just beside. What I’ve been calling “Gallery 9” (left) has currently been deactivated, since all the collages within are now found in the other 2 galleries.

Long shot looking west across the town toward Gallery Jack.

Yet another import from Orions Vale, or will be soon: the little bar in the middle of the woods created from an old A-frame, just east of town and still in the Otaki Gorge sim. This time it sits in a sort of moat. I have a feeling this bar will soon have its own story to tell, with the perhaps struggling proprietor a member of the Pietmond community.

*****

“Let’s bring in Hucka D. for some quality entertainment. Hucka D.?”

Hucka D.:

Good evening. Where do I sign up to be a resident of Pietmond? I want to contribute. Torsit says he wants to be a resident too. But he won’t be out [of jail] for a long, long time. They might even execute him. I’m planning a jail break. Want to contribute?

bb:

Maybe it’s best that Torsit stays in jail, Hucka D. After all he did threaten to kill the love of your life.

Hucka D.:

I know she’s not real now. *Torsit* doesn’t know that — he just read some loose ideas from the blog. Avid reader, you know. He said he really enjoyed reading the whole of Floydodo just after he killed Bracket Jupiter. But, thing is, it’s all blank pages. He only *thought* he read something real and tangible — projection. Queer, eh?

bb:

Yes, it is (!) So Floydodo’s just a blank book. Of no substance whatsoever.

Hucka D.:

None. You wish to talk of The Bill, though, and their influence on Pietmond tonight. Good topic!

bb:

Well… I was thinking — to start anyway — along the lines of Orange, Lemon, and Lime houses.

Hucka D. (quickly):

Orange is more fleshed out. Lime less so. There’s arguments that it isn’t even part of Pietmond and should be torn down. Lemon is between the 2. Orange… yellow… green; whole… half… void.

bb:

That was my thinking[ not surprisingly]. Lemon [House] lies in a halfway world between Orange/whole and Lime/empty or barren.

Hucka D.:

Pietmond has many stories to tell, as you’ll soon see. The Castle in The Rocks, for example: it was the original TILE Temple on the grounds. This is the birthplace of TILE, you see. The Cathedral of TILE is just the latest and last version. Sink, sank, sunk. Sunklands. This is where it all begins/will begin/has begun. A past/future paradise. Come a long way and a long way to go. Now you must create a confederation.

bb:

Confederation of sinks?

Hucka D.:

Yes.

bb:

Oh. Let me insert a picture of the town limits sign while I’m thinking about it. Technically, the galleries aren’t a part of town.

Hucka D.:

They were kicked out because the rest of the town wanted more art than just your collages. Don’t blame them. Nothing against the collages themselves, of course. Pietmond itself, after all, is the newest of your collages.

bb:

Right. My thinking as well… again. Each part seems to be where it belongs. Lemme go inworld and take that sign picture. (pause)

So here we have a picture of the gazebo I neglected to mention before, to the north of the downtown, as we’re calling it.

Hucka D.:

That gazebo has another story to tell. It use to be in Gallery Jack but was removed. Another group of people protested this as well. Pietmond town meetings can get a little rough. You should go to one.

bb (laughing):

Thanks. I will if you will. So here’s the signage. On the front: “To Galleries”. On the back: “Pietmond Town Limits”. This demonstrates the separation of the two regions.

Hucka D.:

The gazebo, like the Lime House beside it, was seen by some residents as also outside the community. Some members of the town even showed up with limes to pelt gallery supporters with. It got nasty. And juicy!

bb:

Is that why Lime House was never finished?

Hucka D.:

Yes. Kind of. You should also know that House Greenup wasn’t originally a gallery but a residence. Same for Gallery 9, and there’s discussion about whether it should be converted to apartments, once more, given the now overcrowded situation in Pietmond itself. 20 residents total now, I believe.

bb:

Where do they live? I know: another night.

Hucka D.:

Another night. Goodnight!

The disputed Lime House, directly beside the similarly controversial gazebo.

“Gallery Jack” Updates October 13, 2010

Well, as soon as I write that the 10×10 and the Edwardston Station Gallery are splitting into 3 separate collections, it all comes back together again. It’s a little wacky looking, but I think it works in its own, special way, shall we say. I present to you the 3rd (final?) version of the Edwardston Station Gallery, amalgamating the 10×10 series housed in the former, various collections once more. We still have the 3 formerly independent structures — House Greenup, SoSo, and Gallery Jack — but now they’re stuck together, as it were, 3 things that don’t really belong together that nevertheless seem to need each other to complete themselves.

Some interesting details of what use to be called SoSo, now perched directly atop the old Gallery Jack (a name which was “new” for about *1 day*).

Adding SoSo into the mix was the final touch, and I *just* had enough prims to do so. Immediately before that, I had also replaced the smaller Victorian house already on the land with the somewhat larger House Greenup, last seen on the Greentop property (which I still own).

Below is a better look at the mini-forest located to the east of the new Edwardston Station Gallery. Still hidden within the trees is the tiny bar with the great view of the surrounding forest. Probably should get a name for it.

I guess it was silly of me to think that the 10×10 should be exhibited in 3 separate, smaller galleries, and that somehow the series themselves were splitting off into combative groups of some sort. But there was a logic to that determination. Let’s see if Hucka D. wants to briefly talk tonight.

Hucka D.:

Nice job baker b. 3rd version, yes. How could you have guessed — once more?

bb:

*No* way. The 3 structures seem so different. They *are* different.

Hucka D.:

Yet they belong together. Finish up Floydadada soon, and we’ll work some more on interpretations, then. Unlike some of your subject matter, like Mythos, the 10×10 interests me considerably. More the art 10×10 than the writing 10×10, but both as well.

bb:

Should I join up with the Metaharpers now?

Hucka D.:

A possibility. You *could* make more art.

bb:

I’m going to keep exploring Corsica, Hucka D. Oh, I forgot to add the most important thing…

Hucka D.:

The most important along with the new Edwardston Station Gallery.

bb:

Well, that might be true. But it’s the idea that the Corsica continent is 3d in nature, or possibly 4d. It is simply different from other SL mainland continents in this way.

Hucka D.:

Not really. But as I said before, this is where SL and RL intertwine. Heterocera is still most closely bonded to Corsica. That leaves Jeogeot a bit to the side. At least for now.

bb:

But I know what all this is now. The Plane of Bill… Comma Islands… Egg Hill and Chasm Deep sinks…

Hucka D.:

You must then find Bill Hill.

bb:

My thinking is that it may be Greentop, my own hill that’s perhaps the highest hill on Corsica before it becomes a granite topped *mountain*. A Mole Hill…

Hucka D.:

… instead of a mountain, yes. Well, you may be right, then. (pause) What next?

bb:

Exploring.

Gallery Jack October 12, 2010

New gallery holding *part* of the 10×10, actually the majority of it but not all of it. Here’s what seems to be happening: the 10×10, the original Edwardston Station galleries holding it anyway, seem to be fragmenting into several pieces in the last month or so. We can now follow this progress through, first, the creation of SoSo, then House Greenup, and now a brand spanking new one I’m calling Gallery Jack, the largest of these fragments. Not sure if I have the time or energy to explain all this in a blog post tonight, or if I really, fully understand it myself so far, but, whatever, the 10×10 seems destined in the immediate future to be split into 3 separate collections according to the above galleries. The full 10×10 will still reside in the Edwardston Station Gallery in Rubi, but that’s no longer my land.

Let’s just move to some pictures of Gallery Jack and maybe the basic concept will clear up. This new gallery, like the larger of the 2 Edwardston Station Gallery structures in Otaki Gorge currently (soon to be removed, I assume), sits right in the center of an identifiable mainland sink as I’m defining them in this blog. But in this case we have not a Jeogeot/Sunklands sink, where 6 of the 8 known examples exist that I know of, but a Corsica continent example. I’ve recently discussed what lies at the center of the considerably larger of the two identified sinks of that continent, or the Chasm Deep sink. What lies in the middle of the other? Well, Gallery Jack now. That’s right, I own larger pieces of land in the center of 2 of the 8 mainland sinks, 2 of the smallest mind you, and perhaps even the 2 smallest. But still… odd, don’t you think, that I could buy really cheap land seemingly exactly where I should buy land anyway. Gallery Jack lies in center of what I’ve cryptically termed Egg Hill sink, stumbled upon back in September 2009. It’s a blog subcategory, so you can follow the progress of my thoughts concerning it here.

To some pictures, then. The gallery really revolves, as it were, around two rather crudely made statues I’ve named Newton (white) and Jasper (black). Together, and working in harmony, they create the archetype JACK. I won’t go into details about this right now.

The gallery itself, which I’ve modified a bit, was created by Moard Ling, and offered as part of a huge selection of freebie structures, objects, textures, avatars, etc., etc. at Freebie Folly in Llimeta at Skidz. The 2 statues are also Ling creations, although they didn’t come with the gallery originally. I found several examples of Ling’s statues, including the two used in the gallery, in a mall just below “Peter’s Hill” topped by a white cross, the highest hill in the immediately vicinity of my Greentop. I’ll attempt to write about finding this statue not far below the cross later on this week, in conjunction with pictures already posted to this blog. For now, we’ll leave it as an uncovering of a stark black and white constellation of objects, which directly transfers to the 2 black and white statues in Gallery Jack now.

More angles on the 2 statues, the first being through an approx. 5 meter diameter hole in the top of the rectangular Gallery Jack.

Shot up toward the green foliage textured ceiling through the statues, showing the inverted Mole Hills (yet another Ling creation) I decided to adhere there. These mounds actually change shapes at random. Collaging heterogeneous “stuff” together in SL is so much fun, hehe! And also, I suppose, this inversion of a hill would also relate to the name Egg Hill sink, come to think of it, which would more logically be called Egg Hole sink. And to be complete, the concept of “Mole Hill” has also been mentioned at times in the blog. You can do a search for the phrase yourself to see what comes up.

Keeping in mind that Gallery Jack and its inverted mole hills, et al, lies at the very epicenter of this Egg Hill sink, of course.

On either side of the main corridor of the gallery, in 6 distinct, large rooms, lies the 6 individual series of the “Art 10×10” that are exhibited within Gallery Jack. The rooms are “sealed” once you enter them, meaning that the entrance to the room is transparent on the outside, but appears as part of the wall on the inside. I’ve marked them in red so that you can also make your way back out of the room once inside.

Great view of the surrounding, granite mountains from a westward facing window in one of these rooms.

In the central plaza of the structure, framed by the giant black and white statues (Newton and Jasper) already discussed, are plaques with all the names of the various series in the gallery, telling you which stairs to use or direction to go to get to them.

To the east: Hidalgo, Wheeler and Yale.

To the west: Rose Hill, Jasper and Newton.

But Gallery Jack isn’t the only structure I have on my Orion’s Vale/Egg Hill sink land. I’ve also inserted an offangle, tiny bar in the heart of the mini-forest I’ve created there, just to the east of Gallery Jack. A bar bare footed Mr. Bean once again serves as the “barwoman” of this new establishment.

And finally we have steps on the very east end of the property leading up to a grassy parcel containing a tree that represents a relic from a past time paradise within the sink/valley. This abstracted walnut oak tree once held a picture of an egg in its branches.

One could assume this is the origin of the name Egg Hill sink. But that might be incorrect.

Trying out ESG at Otaki Gorge… October 1, 2010

This is where it will fit if anywhere on the property.

View from Gallery 9.

View from Labyrinth now underneath gallery toward Peter’s Mound.

I do like the way the new labyrinth fits underneath it. I don’t think it works quite as well here as in the Baker sim where the “official” version currently is. Views aren’t as impressive.*

None of my big structures seem to *quite* fit into the sink. Is it suppose to be more of a natural sink after all?

*****

* 10/1/10: On the other hand, the Otaki Gorge labyrinth won’t fit underneath the Baker version of the ESG, as I’ve found out this morning. Now I’m leaning toward keeping Otaki Gorge… hard to downsize at this point.

Reenter The Labyrinth September 26, 2010

Otaki Gorge seems to react to recent progress made in Baker sim (addition of Edwardston Station Gallery there) with counterpunch: a central “Labyrinth Lake” at the very bottom of the sink, courtesy of Baker Blinker.

More soon. The No Room cemetery is still intact, although completely engulfed by water now. You can still see the tombstones through the transparency, some of which poke above the glowing surface a bit.

Original story on Baker Blinker’s labyrinth here:

https://bakerblinker.wordpress.com/2008/04/04/labyrinth/

Baker Blinker then visits Baker Bloch’s newly placed Edwardston Station Gallery in the Baker sim, and thinks to herself, “I can’t let Baker delete this again. It’s perfect here.” But we’ll see.

*****

I don’t think this warrents a new post, so I thought I’d stick it here. New place in Craggen Maw, a 512 again. This is near the center of my precious Big Sink, so pretty in the past and not so pretty presently (but still with its spots).

I have a decision to make between abandoning 1/2 of my Otaki Gorge property or giving up the rental in the Baker sim soon. Right now, I’m leaning toward the latter (yes, it seems to change hourly), and I think yet another (small) property purchase could be in the works soon.

Wiltshire (RL UK County)

Tonight the wife and I were watching the 3rd episode of Season 3 of Jam and Jerusalem (stateside: Clatterford), and I noticed that two of the locations mentioned in the show were homes of 2 famous Wiltshire white horses, namely Westbury and Pewsey. In the episode, called “Dinner Party”, a train carrying most members of the aforementioned party was stalled by floods in Wiltshire. At first, the host of the party was rung up to say that their train was in Westbury, then a second ring up gave news that their train had actually moved backwards to Pewsey.

Both of these locations are also mentioned in this March blog post concerning white horses. The Westbury horse is actually a part of the alignment weirdness described therein. The Pewsey horse, one of only a few horses left out of these alignments, is still shown in the map at the end of the post.

Purposeful nod by Jam and Jerusalem to the famous white horses? Might be. I’m researching Jennifer Saunders, who both co-wrote Jam and Jerusalem (and thus “Dinner Party”), and also starred in this particular episode as the host of the dinner party in question, and also the wife of the man who kept ringing her up about the train progress through Wiltshire. Saunders is probably most famous for her portrayal of Edina Monsoon in Absolutely Fabulous, and is also well known as half of the French and Saunders comedy team. Dawn French also stars in Jam and Jerusalem, and both French and Saunders have expanded roles in “Dinner Party”.

I basically only mention this because Wiltshire was brought up in my post from last night (immediately below), stating that The Bakers have left the company of The King and Queen in that county now that the 2010 UK crop circle season is apparently over. The King and Queen’s house in Rockley is very near another white horse at Hackpen Hill.

Instead of creating another new post tonight I’ll just chat with Hucka D., if he wishes, in this one. “Hucka D.?”

Hucka D.:

Train. Stall. Flood. Wiltshire. Pewsey, Westbury. White. Horses. All white horses are one white horses. Horse. Golden Horse. Eye eye. There was something in Wiltshire that the host of the party should have been aware of. White Horses. One. Eye. Opening. Closing.

bb:

Hmmm… that’s from a very old post of this blog about an eye found in the northeast corner of the Rodeo sim, even before Baker Bloch was born in this Second World. Let me find the post in question. (pause) Oh here it is — you left it open for me (!)

Hucka D.:

Your wife Edna thinks that you shouldn’t talk to me as much as you do, and that you should go back on your medication.

bb:

*You* are my medicine (smiles).

Hucka D.:

Right-o. So… you understand…

bb:

I understand that I may have to stay in Baker, Hucka D. Here’s a picture of what I created tonight there.

The Edwardston Station Gallery, larger version, seems to work quite well there. *But*, if I do stay in Baker, I’m going to have to downsize elsewhere. And that means Otaki Gorge, since that’s the only place I have to downsize from now.

Hucka D.:

I never liked you leaving the ESG behind, baker b. That is most closely identified with you as Baker. That is where you are *from*. The Blue Feather is an extension beyond yourself in an attempt to contact others. You need both: you need to be constantly reminded of where you come from and also where you are going. You need both past and future converged in the present.

bb:

Thanks, Hucka D. What of Wiltshire and The King and The Queen? The Queen and The King as well?

Hucka D.:

The season is over. There was a place of ultimate contact but only in the future will the past be revealed. You also had several communications from The Queen/King in Second Life.

bb:

Yes, the key hole shaped crop circle in Wiltshire, obviously, but also another Wiltshire crop circle that appeared to form a hole between 2 parts of Second Life or Second World, or between Magicland of the Bracket sim of Comma Islands and, on the other side, Ratcliff of Heterocera. That is a strong remainder of the grid before the Linden Lab grid. Reminder. Mickey’s hole, a mouse hole but perhaps also one for a rat. A particular Rat. Map Rat.

Hucka D.:

Map Rat, yes. Gang of Willard. Gang of One.

bb:

The Bill again, then.

Hucka D.:

Yes. (pause) Careful.

bb:

What of Bracket Jupiter, then?

Hucka D.:

He figured this[ part] out. He let the LL grid pass through Comma Islands but got rewarded in the process. Rat Hole. Mouse Hole/Rat Hole. Gang. Willard.

Marion Crane resurrected after her shower stabbing as doppleganger (“sister”) Lila Crane in Psychogumma (2000)