Gilligan Static: Gillatic (Statigan) June 17, 2012

“Always fun chatting with you.”

Hucka D.:

No prob. What’s up? Homie.

bb:

Concreek. Tomorrow.

Hucka D.:

Go with Joe.

bb:

Joe the Rock?

Joe:

I’ll be there.

Marty:

We are forgotten again… at The Table.

bb:

Yeah. Sorry Marty.

Marty:

You mentioned Residents.

bb:

Do you know them?

Marty:

We do not know them by that name.

bb:

What do you call them.

Marty:

We are The Beetles, Lemmon and I. They are the Residues.

bb (volunteering):

How about The Occupants.

Marty:

Nice. Let’s ask Lemmon.

Lemmon:

UmmmmMMMMMM.

bb:

Hi Lemmon.

Lemmon:

OoooooOOOOOOO.

bb:

Are you at The Table as well?

Lemmon:

Barney RUBLESboro!

bb:

Marty said you don’t abide by the agreement, Lemmon. Wait, I suppose that was Hucka D. Do you know Hucka?

Lemmon:

I knew his MAMA.

Hucka D.:

Desert. Island.

bb:

You were reading my thoughts.

Hucka D.:

Gilligan. Gingervitis. I was the 7th Gilligan (Grumpy).

bb:

*I* was the 7th Gilligan. Or at least as Merk Coolie Brighton.

Hucka D.:

You shouldn’t mention that name here.

bb:

I think I’ve figured out another part of the Bill… The Agreement. I know you will probably leave now that I’ve brought that up.

Marty:

He’s gone. Where’s Dr. Blood?

bb:

Dr. Blood the controller of The Table.

Marty:

Here he is. Coming ’round the bend. Big Bend.

Hucka D.:

Bend. Big. Pool. Ovol. Look. Static. God. Tennessee. Kentucky Kentuckessee. Tennucky.

bb:

TV, then.

Hucka D.:

Where’s Dr. Blood?

bb:

Marty just asked…

Hucka D.:

Here he…

Dr. Blood:

Hi. Baker.

bb:

Hi. (pause) Are you here about The Table?

Dr. Blood:

I am here for dessert.

Thoughts 04 June 15, 2012

Ovol or Oval or Ovool (but probably Ovol) is portal to TV Staticland. It is how you see God. It is end of Carcass-5.

Hucka D.:

Yes. I’m here. Good work[ finding Ovol]. Good work for the day.

bb:

I’ll go back today, even.

Hucka D.:

Square falls into Static at end. Yes. Mobius Strip. Dark Side of the Rainbow heartbeats to end. Wind. Mobius. TV is destroyed and only static remains. Sphere types and creates static. There is much to that. Father Fred.

Lemmon:

Father FRED.

—–

Fifty-six: Carcass-5 and Carcass-6. Two eyes. Twins. Twinned eyes.

Live Bach, Dead Bach

—–

Sphere types the blog. This Blog.

Hucka D.:

Yes. No one understand. The Blog. Korean. Great literature instead in English and readable. Jasper and Newton, dark and light. The Dark. The Clear. Is Ovol in the center of Dark? Is it light in darkness?

bb:

It is God.

Hucka D.:

It is light.

bb:

It is Dark.

Hucka D.:

It is Clear.

bb:

It is shallow.

Hucka D.:

So forth, so on.

bb:

Thanks.

—–

In the Dark Days, The Island was surrounded by Castor. Only Cline brought light, uniting the 4 parts against The Worm. The Worm pointed to Center. The Early Bird catches Worm and Bird leads to light beyond Bias. Castor and Pollution becomes Castor and Pollux. Twins again, of course. Manny the Worm in his sleeping bag worm position is kicked out of Black Books and does the Dance of Judas, the Wiggle of Judas or the Judas Boogie. Wiggle like a Worm. Later Manny is called a Worm by boss for cowarding out of responsibilities in world of Galactic Books and returning to Bernard in Black Books. Bernard, then, is the Bird catching the Worm? Or is Simon Pegg (Evan)?

—–

Evan leaves, Manny jumps up on the counter in a sleeping bag with a muffin and a book. Bernard is watching, he closes his spy hole, wraps up in the wet sheets, coughing all the time, sits in his chair, lights a cig, coughs and it fall into his wine, throws a book at the light switch.

Next morning at Goliath Books, Evan arrives while Manny is still in his sleeping bag.

EVAN: Morning Manny.

MANNY: Morning Evan, just popped in to do my yoga. I do it every morning, in my yoga bag. Just running through a few positions. This is the worm, worm saluting the sun, anaconda.

EVAN: Manny I’m a reasonable guy. I like to be straight with people I expect them to be the same. If you tell me the truth I won’t get mad. So tell me, did you sleep here last night?

MANNY: Yes I did (they both laugh)

EVAN: I’m really angry now!!

—–

ENTER EVAN.

EVAN: Manny! Come here.

MANNY: Bernard he wants my hair.

BERNARD: How dare you. Don’t you touch a hair on that boys head, have you no respect? He’s mine, get your own human play

thing. You quartz brained little cream puff. (Aims a punch at Evan, misses and fall on the floor, Fran and Manny run to help)

EVAN: OK well I tried. There’s obviously no point out reaching to people like you. Manny in two years you could have been vice-deputy-sub-assistant, but you’re not, you’re here shuffling around on the floor like the worm you are.

Evan goes back to Goliath Books, Manny has clogged the Do-te-de-do machine with muffin crumbs, Evan gets an electric shock, all the devices go crazy, a camera falls on Evans head.

—–

So The Worm of Cline Island points to The Sun in the center of the 4 colors of red, green, blue and yellow, as Manny points to The Sun in Goliath Books in Black Books. Evan does not like Manny to be a Worm, and thus does not like him pointing to Sun. Like Mr. Burns in Simpsons, Evan wants to blot out the Sun, and to make all in Dark and make the owl’s deafening with their incessant hooting. Bernard likes Manny as The Worm. Later Fran also takes yoga (real this time) and says hello to Sun famously. Anaconda also probably plays role here.

Wurme is importantly a country of Mythos with POPE Beanstalk assumingly pointed to Sun. Represents The Dump play. Wurme is yellow, cast out of Eob (green) and in league with red (Gurr) in Synthesis War to end all wars. Also opposed to blue (Bridee), but allied with same during Holiday Wars predating Synthesis War. Cline passes through Wurme (Edwardboro) to reach Monkey City but never does, instead becoming the seed of the POPE beanstallk.

Hucka D.:

I’ve been woke up again. Carcass-4, The Unfinished, must be dealt with and this is another opening. Jacob-I Road, leading to The Island which is 2 eyes in 1. 4 actually, if you count the hidden eyes behind the eyes. So you have the 4 colors of TILE again. Question: Is *this* where TILE is born?

bb:

The Island was called Cline’s Island in the Dark Days.

—–

Hucka D.:

I’m tired of talking about this. I’m tired, period. I need to wake up at 9[ again].

bb:

Anyone else I can talk to?

Hucka D.:

Yosef.

—–

ROUGH TIMELINE

— Cline (Manny Biano, or Manny The White) comes to The Island in league with /Evan/ (Goliath Books) and attempts to raise himself out of surrounding Castor Dark (Black Books). Clineism is born as Cline leaves tick home, with the Worm, 1) Established; 2) Establishing relationship to central Sun (salute), or CENTRE of Island; and 3) Taking in solar energy to become Anaconda. This is Cline becoming POPE in Mythos history or MythHist. Sun is in middle of 4 (Topographic Maps making up Cline Island in Missouri). It is combination of 4 primary colors of red, green, blue and yellow, or TILE in other words. Anaconda is total incorporation of solar energy to become Worm itself as Anaconda, a worm of a higher dimension.

— Cline retreats back to Concrete Falls (Black Books) and becomes non-Worm, or a different, more satisfying kind of Worm. Worm is removed from Island, just as you cannot see Worm on present sattelite map of Clines Island. Cline has been removed.

But of course in another way Manny is Jacob and Bernard is Man in Black. When Manny leaves Black Books, Bernard and the Man in Black become one and the same in Carcass-4. Sun in center of Island is same as Sun/Light in center of LOST’s Island. Evan does not like the worship of the Sun in the center of The Island. Manny has abandoned Bernard just as Jacob did to Man in Black.

http://en.wikipedia.org/wiki/Castor_and_Pollux

Carcass-One… June 6, 2012

… has a sort of sister village now, Hucka D. 7 Stones I’m still calling it presently.

Hucka D.:

7 Stones is good.

bb:

So I know you don’t want to talk about the Billfork Agreement.

Hucka D.:

Not really.

bb:

How about The Table.

Hucka D.:

Hummm.

bb:

We were talking to Marty about The Table not long ago, Hucka.

Hucka D.:

Marty is still here.

Marty:

Hi.

bb:

Hi Marty.

Marty:

Hear you and Hucka D. disagree about the revealing of the agreement.

bb:

Maybe. Difficult to tell.

Marty:

Lemon brought in The Bill. How about that?

bb:

What does that really mean? I mean, I know what it means but I don’t.

Marty:

Chart our history in Second Life. We started in WES, us Beetles, then moved to Ruuster’s Peninsula to probe the Valley of Nye with our brand new yellow submarine bought for us. Therein lies The Bill. We understood what MASH meant, then.

Lemon:

Ho do ro mo. Tick tock. SID’s 1ST OZ!

bb:

Hi Lemon.

Lemon:

CARCASS ONNNNNNEEE.

bb:

Billfork?

Lemon:

Bill. FORK!

bb:

You don’t seem encumbered by the agreement.

Marty:

He isn’t.

[Lemon continues to shout names as he moves out of hearing range.]

Peter the Good:

I’ve decided to join the Initiative. I’m sold. I bought a giant rat and I’m going to ride it all the way into town and back. Carcass-One you’re calling it, baker b.?

bb:

Yes. Ride a rat in Second Life, Peter?

Marty:

That was the selling point. The Giant Rat.

bb:

So you had to give Peter a Giant Rat he could ride around in his Second Life before he agreed to the, er, agreement.

Marty:

Yes. Basically. Those were his terms. One of them.

bb:

Can you tell me any of the others?

Marty:

A whistle.

bb:

Lemme guess.

Marty:

So he could train the Giant Rat, yes. Train him to sing? No, just train.

bb:

Can he sit up or beg?

Hucka D.:

OK, gotta close this down. Thanks for showing up tonight Marty. Happy b-day baker!

bb:

Thanks! Suppose it is already.

Marty:

Mine’s next!

Destroyer of Pietmond? April 6, 2012

Hucka D.:

Dr. Blood is not Happy. Dr. Blood and The Table are not getting done. Do you know who Dr. Blood is?

bb:

Maybe.

Hucka D.:

You know it will be done. You are worried about Your Table. This is his or her Table.

bb:

Understood. I’ll reassure.

Hucka D.:

When you get back. Pacify.

bb:

I’m confident the work will get done.

Hucka D.:

Yes.

—–

bb:

Billfork now.

Hucka D.:

Center. Spring. Create. Marbles. Pluto.

bb:

Thank you.

Spirals within Spirals… February 2, 2012

Hucka D.:

House Greenup and SoSo spin in opposite directions from the circles around them, counterclockwise in each case. The robots have circled around each of these structures (galleries) in a clockwise manner. You are in the heart of your 7 stones research, baker b. Have you heard?

bb:

Have I heard what?

Hucka D.:

Listen.

—–

bb:

Anyway, so it turns out, as I was walking them tonight, that the Greenup series within House Greenup and the Oblong series of SoSo spin around in the same direction, contain the same number of collages, and are both spiraling around both a lower and an upper level. Of course I knew Greenup and Oblong were similar in this way (2 loops of 20 collages apiece), and were different from the other 4 series of the 10×10 in this way.

Hucka D.:

In this way. Listen.

bb:

Death?

Hucka D.:

Not… no.

bb:

[Delete name] would say death is the end. Period.

Hucka D.:

Wrong.

—–

bb:

So the robots, both red and blue, *cannot* walk in a counterclockwise direction — they simply halt themselves at the 7 Stones marking this turning point. They *cannot* walk in the same direction as the spin of collage progression within each of the galleries they are circling around. (pause) The collages are separate from the robots, or are on an opposite spin from them. The robots do not enter the galleries for this reason, and never will. One comes from the Town Dump and the other from the Town Limits. Points Y and Z respectively on the picture above, Hucka D. Hucka?

—–

bb:

So the robots counter the sprialing energy of the two galleries, the blue one counters Greenup and the red one counters Oblong in the SoSo Gallery. But the Golden Way connects the two in a harmonic manner. I think.

Hucka D.:

I am harmonic. Listen.

bb:

Harmonica?

—–

bb:

Looking downward into the spirals of each gallery would be like looking into two circles stretched out and connected. The first circle would start at 1 and end at 10. The second circle, identical in shape and size to the first, would begin at 11 and end at 20. 10 collages in each circle, Hucka D. And containing an animation in the exact center of each, or between collages 5 and 6 in the first circle, and then collages 14 and 15 in the second circle. In addition, at each point where the two circles touch, as it were, another animation is produced, or between collages 10 and 11 in circles 1 and 2 respectively, and collages 20 and 1 between circles 2 and 1. This would apply to both the Greenup and Oblong series, although it is easier to see in the “classic” style of Greenup, where the pattern was laid out for the entire 10×10. This would be the first series created in the 10×10 as well, the ur series. Hucka? Anyway…

Hucka D. (returning):

Don’t you think the two (red and blue) robots are trying to make an animation with each other but can’t?

bb:

That makes sense. Let me try to wrap my brain around the concept.

Hucka D. (patiently):

Wrap away.

bb:

If they were heading in the same direction in respect to each other, they could make an animation — they would be two aspects of one motion, start and end. However, they oppose each other, and head in opposite directions, perhaps on opposite loops of time itself, Hucka D. Is it Greenup opposed to Oblong?

Hucka D.:

No. I don’t think.

bb:

Can you wrap your brain around *that*?

Hucka D.:

Yes I can wrap my brain around that. By the by, you saw me downtown today.

bb:

I did (!) What were you doing in downtown Blue Mountain, Hucka D.?

Hucka D.:

Just saying hello. Howdy, how’s it hanging. And such.

bb:

Golden One, eh?

Hucka D.:

Yeah. I try not to be boastful about it, but it gets away from you at times.

bb (smiling):

Right.

Hucka D.:

So you’re forgetting the Golden Way[ once more].

bb:

Guess I am. Let me take another look at the picture above, then.

Hucka D.:

One more look and we should end. It’s not too difficult baker b. Remember you were telling [delete name] today that it was simple and implying that he should be able to grasp it? Well… maybe it’s not. Maybe it’s like the red and blue robots that don’t make any sense all stuck at that stacked rock sculpture. That’s what it is — red and blue. Limitation.

bb:

The way to keep moving up the 10×10 spiral, Hucka D., was to create these animations at every fourth collage. Otherwise I would also get stuck. I remember the first — between Greenup collages 5 and 6.

Hucka D.:

56, yeah.

bb:

What is this saying?

Hucka D.:

What *is* this saying??

Greentop:

What is *this* saying???

bb:

Anyway, once more, Martin turns into another Martin in the animation, the yellow submarine starts heading more downstream on the Greenup Gill, and The Beatles have changed from Russian nesting dolls to jigsaw pieces of a puzzle. Jigkansawyers.

Greentop:

Jig-kan-saw-yers.

bb:

Still here Greentop, I see.

Greentop.

I hear. I see.

Hucka D.:

He’s in the collages, baker b. That’s why he’s here. Highest of the low, you know. Greentop. Asha.

bb:

And the tunnel in the background has lights in it now. Three glints — diamonds as I saw them. Something has been energized.

Hucka D.:

Birth is about to happen. Right Greentop?

Greentop (proudly):

Wrong!!

bb:

OK. So… I guess the yellow submarine in the collage could be the, er, Golden Way, Hucka D.? [no answer] And the diamond glints are Lucy in the Sky with Diamonds from the Sgt. Pepper album, then same album of the jigsaw puzzle. It has just been pieced together — the album I mean. 4 pieces to the puzzle, 4 Beatles, 4 Russian nesting dolls.

Hucka D. (returning again):

The tunnel is Millboro. That means it’s a time tunnel.

bb:

Let’s see. So that means The Beatles are travelling backwards in time, back to Revolver just before Sgt. Pepper. That’s why the images have turned black and white from color. “Yellow Submarine” is a single off the Revolver album, and paired with “Eleanor Rigby”. And we just spoke of this double single on the blog, Hucka D. Dr. Blood did, I mean. Dr. Blood and I.

Hucka D.:

And me.

bb;

This is probably about 4orrin1, then, Hucka D., which was slightly in the future when the collage was created, or predating it by several months. 4orrin1 would have been a strong and heavy influence at the time. Gravity.

Hucka D.:

And comedy.

bb:

4orrin1, or Foreign One, would have been the pull from the past which is in the future. (pause). Oh, and the lights within the tunnel are like train lights, Hucka D., which also plays a part in 4orrin1. Lemme pull up a pic.

—–

bb:

Well, I can’t find one, but it’s where Fin wakes up in the middle of the train track in tile 2, but then in tile 3 the train comes and whites out the screen with its light. It’s up in the air, in the synch, whether he survives or not. He is the Nowhere Man. Time goes backwards. Fin’s watch is smashed when the train passes over him because it was laying on the tracks — proof that he didn’t dream the whole thing up. At the same time in Nowhere Man we hear “take your *time* (don’t hurry)”. Can’t be chance or happenstance, Hucka D.

Hucka D.:

Golden Way. By the time you get to Oblong the synch process is in full swing. You have reached your peak, alongside collage production. Parallel peaks, then.

bb:

The tunnel is time travel. The tunnel is tile reversals. Jumping backwards. The end of 3 loops back to the beginning of 2 in this case. Nowhere Man.

Hucka D.:

It is because he (Fin) has lost his friends in the Yellow Submarine. He is alone, but is still saved. Time saves him. Backwards jumping. Otherwise…

bb:

Dead.

Loose Thoughts… January 25, 2012

“Pietmond really is attempting to live, Hucka D. A giant ship has come, spanning the whole town completely. It’s a protection.”

Hucka D.:

It’s a protection.

—–

bb:

Yet I have a great desire to give it up and just “move” to Lower Austra, Hucka D.

Hucka D.:

Option. What are the advantages and disadvantages to either choice?

bb:

We talk once more whether Pietmond exists even into the coming month.

Hucka D.:

I’ll start, then. Pietmond has Pietmond Shirt and Skirt. Pietmond has…

bb:

… the Coolie Building. I believe that’s the equivalent [to Shirt and Skirt].

Hucka D.:

The Coolie Building it is, then. Can the Coolie Building exist in Lower Austra?

bb:

I suppose so, although it might be taken out of its natural context.

Hucka D.:

Your Table is set.

bb:

I would certainly save money — I believe — by just existing in Lower Austra. If I get bored there’s always neighboring Yd Island to explore. And Nautilus City. And upper Nautilus continent. And upper Maebaleia, even down to old Crabwoo. By the by, reader, Crabwoo is not an option now for a Pietmond replacement. No way… well, just no way.

Hucka D.:

And Monkey City. Monkey City! Freaky.

bb:

Yeah, keep forgetting that Monkey City is at the lower tip of Lower Austra.

Hucka D.:

It was the primary urban area of original Second Life, lemon style. It knew of the other Monkey City, even. Your Monkey City.

bb:

Pope?

Hucka D.:

Philip.

bb:

But back to Pietmond. I’d certainly miss the TILE Temple. And the Norris Castle or Gallery or House or whatever it is. The SoSo galleries [East and West] — they’ve been there for over a year now. Peter SoSo’s grave area of course.

Hucka D.:

Peter Gabriel is buried there. He is a timelord.

bb:

Cross of the Lamb and all.

Hucka D.:

Yes. Dr. Blood invited him and a select group of other variants to join the Sunklands initiative of Your Second Life. Dr. Blood is the Heart o’ Sunklands.

bb:

So Marty came from the direction of WESity.

Hucka D.:

WES City, yes.

bb:

Robert Plant Variant came down from the Sternberg region — Nowtown and Zen City and all. That would be more from the north or northwest. Marty’s WES City is west of Sunklands.

Hucka D.:

Peter G. came from the east[ then]. Norum. He was compensation for Karoz for the loss of his mother Sapphire, who turned when the LL grid came through. Turned again, I mean. 2nd time. Peter G. then showed up. Baby he was at first; toddler. Then learned to walk. Happy still. Then adolescence. Happy changes to The Monster at times. MessiaenSphere, the perfect sphere or perfect cube, lost. 60 minutes to an hour. One hour is perfection. Baby. Childhood. Innocence. Fourfold perfection. Rainbow sphere.

bb:

So Lower Austra is the Rainbow Sphere, the Wizard’s Cube.

Hucka D.:

Obviously. Color coordinated [even] (!)

bb:

It is Oz?

Hucka D.:

An Oz. Do you want to move there?

bb:

Well, er, that’s what we’re talking about, Hucka D.

Hucka D.:

Oh. What’s the problem?

bb:

Pietmond’s the problem, Hucka D.

Hucka D.:

Oh yeah. Pietmond. Hmmm. Why don’t you just get rid of it?

bb:

That’s what we’re talking about! We’re weighing the options. What would be the advantages and disadvantages.

Hucka D.:

Well there’s Pietmond Shirt and Skirt to consider.

bb:

I give up. Let’s talk about The Table, then.

Hucka D.:

The Table will exist in Happy.

Dr. Blood (quickly chiming in):

No. (pause) Unhappy.

bb:

Hi Dr. Blood. Will The Table exist in Pietmond?

Dr. Blood:

I sent the ship. It represents a sink. Sinking Ship.

bb:

Michael Allen[ type] Sinking Ship?

Dr. Blood:

Yes. I am Michael.

bb:

Hmmm. Ummm. (pause) Is it The Arab?

Dr. Blood:

Yes.

bb:

So you sent the ship, parked it directly atop Pietmond, and then am telling me now that it belongs to Michael.

Dr. Blood:

Why?

bb:

I… I don’t know. Evacuation?

Hucka D.:

Hmm, could be, baker b. Pietmond is packing it up.

bb:

Going home.

Dr. Blood:

Going home.

—–

bb:

But home isn’t Happy?

Baseball Great Joe Oliver January 24, 2012

(joined in progress)

“Dr. Blood doesn’t want it in Happy. He is unhappy about all of that.”

Hucka D.:

Worn out joke, baker b.

bb:

Yeah. Sorry. You’ve used it too[, though].

Hucka D.:

Back to business: Dr. Blood wants The Table set up in Pietmond. He wants you to *hold onto* Pietmond in February. Destroy 1/2 of the town if you have to. Keep the temple. Keep the Pod Pad. That’s where he wants to set up The Table. For The Table, in a way, in a manner, is Carcassonne. Heart and soul and head and body.

bb:

Carcassonne is a computer… from the future.

Hucka D.:

Tronesis robot times, well, times a lot.

bb:

Inside is the Tronesis robot, though.

Hucka D.:

Well, yeah. I guess.

bb:

The older carcasses were interior synch heavy. Like Dark Side of the Rainbow. Like well, like OK, like The Rainbow Sphere.

Hucka D. (volunteering):

MessiaenSphere. A child. Before The Fall. Before The Monster. Spring any day now. Happy. Harry. Jerry. Cube. Sphere.

bb:

There’s a dichotomy, then.

Hucka D.:

That’s why Peter Gabriel is needed. Other synchs convince him of the worth of The Table, like Carcass-6 obviously (the most recent carcass). This is what they are debating… already have debated.

bb:

We must finish our talk with Dr. Blood about The Beetles’ involvement with Carcass+6, Hucka D.

Hucka D.:

I wasn’t there.

bb:

OK, right.

Hucka D.:

Do you want him to come in? Talk to him tonight? We can make that happy… happen.

bb:

Nah, that’s alright. Another night.

Hucka D.:

You are seeing that Grassy’s character is uneven. He’s in Big Four, West Virgnia, trapped in the nylons aisle, at the same time his avatar is visiting the Mossman’s homeland with Gene Fade. Couldn’t happen. And he was fascinated with The Arab and showed up on the blog to talk about it. Yet at the same time… Big Four… trapped. How?

bb:

Is The Arab Finally Married?

—–

bb:

Is The Arab Frigate Matilda?

—–

On [the other] side we have Dr. Blood flanked by Marty and Peter Gabriel. [Also at Marty’s side] is Plant, and near Peter Gabriel is Lemon. Maybe one more on that side: Ives? Cowell? Henry Cow L.? On our side is Baker Bloch flanked by Baker Blinker and Hucka Doobie. Beside Baker Blinker is Karoz Blogger. Beside Karoz is Bracket Jupiter. No Wilsonia? But then you have to have the toy avatars as well, starting with Grassy Noll and perhaps Gene Fade. So Grassy would sit beside Hucka Doobie. The list:

Henry Cow L.?
Lemon
Peter Gabriel
Dr. Blood
Marty
Plant
Bracket Jupiter
Karoz Blogger
Baker Blinker
Baker Bloch
Hucka Doobie
Grassy Noll
Gene Fade

Hucka D.:

And baseball great Joe Oliver.

bb:

Yeah, forgot him.

Hucka D.:

From Atlanta. Has the key. The Key.

bb:

In counting, perhaps we need to keep it to 13 tops.

Hucka D.:

But not getting rid of Oliver. He’s important.

bb:

OK. Maybe Henry Cow L. For now. (pause). Also: Maybe you should sit in the middle for our side, Hucka D., instead of me. Me and Baker Blinker will flank you instead. Karoz on the other side of me, then Grassy on the other side of Baker Blinker. Then Bracket beside Karoz. You face Dr. Blood. You know him better than me, after all.

Hucka D.:

You scared of Dr. Blood, baker b.?

bb:

Maybe not scared…

Hucka D.:

It’s just Tin S. Man. As you know now. Might even be just little ol’ Ray Davies inside. A variant Ray, I mean.

bb:

He doesn’t count because his solo work isn’t used in a carcass, Hucka D. Not yet. That makes him different from all the others sitting on the opposite side: Marty, Lemon, Peter Gabriel, and, well, guess that’s it. Oh: Plant, of course.

Plant:

Hi.

bb:

Hi.

Hucka D.:

So it’s set.

—–

* Just after writing this, I found the correct Oliver baseball player. It’s Al Oliver, not Joe Oliver, who is instead Joe Morgan in the above picture. What a goof-up!

Karoz checking out a Happy location for possible Table meetings

Harry? January 20, 2012

“2000th post, Hucka D. Wow (!)”

Hucka D.:

Happy birthday, baker b. (!)

bb:

I seem to have become involved in Second Life exploration again, Hucka D. In the thick of it.

Hucka D.:

Settle down. Time to settle down.

bb:

Thanks. Australa?

Hucka D.:

Maybe in the region. Maybe… (pause)

Dr. Blood:

We must return to The Table.

bb:

Thanks Dr. Blood. Do you know of Upper and Lower Austra?

Dr. Blood:

No.

Hucka D.:

Hi Dr. Blood (!)

Dr. Blood:

[no answer]

Hucka D. (sensing he’s gone):

I luv you, man (!)

bb:

Back to Australa, the projected capital town of Austra, both Lower and Upper.

Hucka D.:

You must explore Upper Austra next. Don’t go back to The Table quite yet. The town you have been examining is not Australa. It is instead something else.

bb:

Can you give me a name?

Hucka D.:

Jim.

bb:

Gem?

Hucka D.:

Yes.

bb:

Like [a] diamond gem?

Hucka D.:

Umm.

Dr. Blood (returning):

Time is running short. We must return.

bb:

Is Marty waiting at The Table for me still?

Dr. Blood:

Marty. And Plant. And Peter Gabriel. Just twiddling their thumbs, tapping their fingers on the surface. Bored. Waiting.

bb:

What is the Zeppelin Tube, Dr. Blood?

Dr. Blood:

4th.

Hucka D. (offering another name):

Jerry.

bb:

Harry?

—–

I AM HARRY. Hi Harry (!) I AM HUCKA DOOBIE. Hi (!) I AM NOT A MONSTER. Are you a town? YES. I AM THE CHRIST CHILD. I AM THE FAUNE. I AM HARRY. Two in one, then. YES. TWO SIDES OF ONE. THIRTEEN AND FOURTEEN. ALPHABET. Are you the alphabet? YES. Are you the Wizard’s Cube? MAYBE. YES. MAYBE. Are you the spirit of Lower Austra? YES. Upper [Austra]? MAYBE. NO. MAYBE. Are you evil? OF COURSE. NOT. Are you good? OF COURSE. Are you higher? YES. HIGH HARRY. HELLO HARRY. HI ME. Are you God? A GOD. Are you Satan? NO. Are you the Harry mentioned in this former blog post here? YES. The too scary Harry? RIGHT. NO. LEFT. YES. Are you related to Pietmond? COUSIN. Is Goldie (Pietmond statue) both Christ and Faune? YES. HA.

Is that you Harry? YES. HAR. HE. So you are happy. HAPPY. YES.

Cayce Do You Mind January 13, 2012

“Where is The Table located?”

“We don’t know,” replies Marty. Others mumble to the same effect.

“What is its shape?”

Same kind of response.

Hucka D. pipes up. “You have just uncovered the identity of Dr. Blood. He is Tin S. Man, formerly of Green Oz Creek and Tinsity. A million dollar Money Pit was buried at this location, then moved. Marty was in charge of the move. Marty is in charge of The Table, or its chairperson. Marty?”

“We don’t know,” he says again, then blushes, realizing he was several lines behind once more. “Uh-hmm,” he utters and adjusts the large volume of papers in his hands, knocking them hard several times against The Table to get the edges straight again. Then he begins thumbing through them nervously; beginning to sweat. Definitely an awkward pause in the action tonight.

—–

Hucka D.:

Well, since Marty isn’t quite ready I’ll pipe up again. You have just uncovered the identity of Dr. Blood. He is Tin S. Man of Tinsity fame, with a 1000000 dollar Money Pit near his home. Marty was in charge of the move. Marty?”

bb:

Excuse me Hucka D. but we’ve already been through this.

—–

The others start to laugh a bit now, and even Marty chuckles some while still trying to [also] get his act together.

—–

I’ll write privately as well, then. Silly variants, hehe.

—–

Dr. Blood:

I am here once more. I am unhappy.

bb:

Dr. Blood (!) Nice to see you around again. Long time.

Dr. Blood:

Not really. Just night before last.

bb:

Oh, you mean Tin S. Man found in the Heart o’ Sunklands.

Dr. Blood:

Beating heart, yes. Still alive, despite your attempts to kill. Chop an arm off there, a leg there, another leg here. Next will be my head. Next will be my heart.

bb:

Are you in charge of the Aotearoa Sink, Dr. Blood?

Dr. Blood:

I am the creator of organization. I wasn’t present at the meeting tonight and all fell apart[ because of it]. I just wanted to show you that. I am the organization. I wasn’t present at the meeting tonight and all fell apart in a way. I simply wanted to demonstrate that… I am the organizer of creation. I am the creator. I am. I.

bb:

Marty is fascinated with his role in The Table. Lemon — not so much.

Dr. Blood:

Marty and The Beetles are more subtly linked. Lemon doesn’t have the close identity. He does to The Beetles as you are trying to do with Sunklands. You don’t understand how long term it will be.

bb:

The Beetles show up most of all, perhaps, in Carcass+, lemee see, Carrcass+6. I had to count backwards in me head there.

Dr. Blood:

OK.

bb:

There is an association between the Sea of Green, famously found in the single Yellow Submarine, and Green Pond, New Jersey. The house involved is painted yellow, and it sits on the shores of this pond… er, lake.

http://en.wikipedia.org/wiki/Green_Pond,_New_Jersey

Dr. Blood:

It is the yellow submarine. It has the friends all aboard. Rocking there are Joe, then Fin, then Olivia. Living a life of ease. They are playing, not a band with a trumpet, but just playing, having fun. Every one of them is all they need. It is the yellow submarine. The [yellow] train Joe and Fin chase is another type of yellow submarine. They drive parallel to it; they are the train which is the submarine. They too are having fun there. But they both need Olivia as well and she needs them. It’s just a very nice movie. Very profound in a subtle way.

bb:

Thanks for all that (!) The Beetles, however, trace the whole story of the movie. They are, one could say, locked in with the movie through these 5 songs, Yellow Submarine being the 5th. Balancing it out on the other side of [Carrcass+6] is Eleanor Rigby, the flip side of Yellow Submarine.

Dr. Blood:

Eleanor Rigby is about loss. For Fin, it is loss of his boss, his co-worker, his friend. He must make a long journey and find new friends. He must find a New Land. Newfoundland. Inherited from this same boss, co-worker, friend. But they are lonely in this New York City suburb on the New Jersey side. Hoboken I believe. The shop they work at, a hobby shop, must close now. Fin must make new friends in a New Land.

bb:

So, let’s see, next comes “Drive My Car”.

Dr. Blood:

So where does the lonely person Fin belong? That is the posed question. Where do they all come from, and where do they belong. The movie, however, immortalizes their actions. The movie tells the story of Anyman, who dies and leaves nothing, perhaps, but also something. He is not a Nowhere Man. He leaves something to Fin, and Fin carries on. Fin is an explorer. Fin is a great adventurer. Fin is acting through the soul of his friend. We trace a direct line from Eleanor Rigby to Yellow Submarine through the whole movie. Loneliness to Friendship.

bb:

Thanks. And then “Drive My Car”?

Dr. Blood:

Meeting between Fin and Olivia. Olivia almost runs over Fin not once but twice. These are also the two verses of the song. She can’t drive[ her car]. She is absent minded, spilling hot coffee on her, fiddling around with the groceries. She is unfocused. It is also Olivia and Joe, who she drives to see Fin. She remains uncommited to friendship to the two. Then we have an unexpected shift to Flubber for the final verse. Dr. Brainard too is unfocused, and runs into an apple tree with his car, now flying, or attempting to fly. Flying car represents a yellow submarine again: opposites. Powered by flubber. Olivia is the driver. Joe has no car. Fin has no car. “Flying” is directly attached, then, to “Drive My Car.”

bb:

The Beetles song “Flying”, from Magical Mystery Tour. The only song credited to all 4 Beetles. Their “Dyer Maker”, then (smiles).

Dr. Blood:

[Deepening] the segue to Magical Mystery Tour, after we see [Dr.] Brainard hovering over his girfriend and his rival [from Rutland College] for her hand [ after he straightens out the flying part], we then have the song “Magical Mystery Tour” itself. All aboard for the magical mystery tour is all aboard for Alvin Straight’s magical trip across the bulk of Iowa to see his brother Lyle in western Wisconsin, to make up for bad blood in the past. Alvin is dying — he knows that. Alvin drives a riding mower across Iowa. He too doesn’t have a car and makes do with what he does have. One riding mower goes kaputt; he buys another. This is all his money. Rutland is a linking word. Rutland… Rutles. Beetles parody.

http://www.zappinternet.com/video/ReDqBuwLuj/The-Rutles-Tragical-History-Tour

bb:

That’s so great (!)

Dr. Blood:

You must go to Rutland. Erik Idle is The Rat.

bb:

Yes (!)

4th January 12, 2012

Should be able to catch up with the creation of blog post texts this extended weekend.

Pietmond *might* last until March and even into early April. What projects to do, however, if it does? Norris gallery remains unfinished… Crooked Building: set up Pietmond Branch of Crabwoo University there? Sinkology?

The Table must be developed, and I’m not sure what role Pietmond will have in that. Started looking over The Table today, specifically the part belonging to The Beetles. The Beetles are the 4th most important artist or group of artists on this Table, audio side that is. Their mythology will be developed in a future carcass, perhaps Carcass-7 but maybe not as well.

The Table represents a history of music as I know it in general. And video. It is a snapshot of a particular time and place.

Gong represents another limitation, along with Teepot. Move back to Teepot? Is that where I’ll develop The Table in Second Life instead?

“No.”

bb:

There’s Mr. Hucka Doobie the Bee. Howdy.

Hucka D.:

Clean, cheap fun.

bb:

Pietmond.

Hucka D.:

Yes. Cut back on wine two days a week. Cut back on coffee. Cut back.

bb:

I’m planning to use the Pietmond money to buy toys, Hucka D., like model train track.

Hucka D.:

Make sure everything is wrapped up properly.

bb:

And The Table must be developed.

Hucka D.:

The Beetles[ and all].

bb:

Yes. Marty still around?

Hucka D.:

Yes. You will work with him again. Simpsons.

bb:

The good news is that, thanks to the expansion of the mythology surrounding Frank and Herman Parks — protected parks after all — the Baker Blinker Blog will continue even if Second Life went bottom up tomorrow. It would slow down, true.

Hucka D.:

You would find other virtual realities to explore.

bb:

I don’t think I plan to. Except maybe for GoogleEarth.

Hucka D.:

Good.

bb:

But I must begin to focus on The Table.

Hucka D.:

So you’ve said.

bb:

Working out… toward the edge.

Hucka D.:

Have you found the 4th yet?

bb:

Um, no.

Hucka D.:

You better start looking (!) That is the lip[ of the hole].

bb:

Crawling or climbing out of Pietmond equals climbing out of the hole that is The Table?

Hucka D.:

Sinkhole. Synch Hole.

bb:

Maybe draw some impressions of Pietmond.

Hucka D.:

You will have to go to the town council for any further destructions and constructions, baker b.

bb:

Carcassonne?

Hucka D.:

Yes.

bb:

Anyone else?

Hucka D.:

Maybe Marty. Maybe Warren Zeevon. Maybe The Bill. Maybe Lemmon. Maybe Plant. Bring them back. That’s your Table.

bb:

The Beetles are The 4th

—–

Marty is also leader of the toy avatar grouping at Money Pot now. BUILD THE TABLE THERE. The Table becomes all important. CARCASSONNE. Look over photos of Norum, Pietmond, Teepot?

—–

Marty becomes defacto leader of the toys after the death of Lisa the Vegetarian at the Jonesborough Compound. He orders the evacuation of the compound when Money Pot is found, a 1000000 dollars buried within so the rumors fly. DO YOU THINK HE NEEDS THE MONEY? Michael Won buried the money there — that’s what Michael Too was scared about. SACRED. Houston we have a problem. YOU BETTER FIND OUT IF THE MONEY IS THERE. MARTY MAY THINK SO. Maybe Stan and Sid and Spit and Sue are looking for that money. WHAT ELSE. Sid would know — he would vibrate around money. He could feel it deep underground. Shrink way way down. Totally different set of rules. CARCASS-7.

—–

Marty:

We begin today for several minutes. baker b., explain the numbering system of the carcasses. Why not call them by their real names?

bb:

The term carcass is used to describe [delete name] within this blog.

Marty:

There it goes again (!) Self editing.

Lemmon:

OHMMMMM.

bb:

OK, sorry. Carcasses are [delete name]. No use. But there are the word for *that* within the blog. We are within the blog now, so the word can’t be written. Not really. Carcasses start with the advent of this blog, or early 2008. Carcass-1 is the first carcass produced by me while working on the blog as well. This would be late 2008. Carcass-2 and Carcass-3 formed in 2009. Carcass-4 in 2010, just before the founding of Pietmond itself. Carcass-5 came along this past summer, and then Carcass-6 right after that, ending in September. Carcass-7, I project, will be formed sometime in 2012, perhaps along with even another carcass.

All carcasses before this blog have a positive number instead of a negative number. The last carcass created before the Baker Blink Blog is Carcass-0. The carcass before that is Carcass+0. The carcass before that, even, is Carcass+1, which may be the largest of all. The one before that, Carcass+2, is also pretty large but not as much. Carcass+1 and Carcass+2 together probably form the peak of carcass creations, and this would be late 2006 and early 2007. Marty, you would be involved in, for example, Carcass+3, very similar to Carcass+2, and then Carcass+2. You would be involved in one tile of Carcass-1. You would be involved in several tiles of Carcass-3, and this would also be the time of your involvement with the Baker Blinker Blog through Sunklands, along with Plant. Plant belongs in Carcass-3 as well — you two are the main driving force of this smaller carcass. It also probably represents the peak of Second Life influence on the carcasses, which start to grow larger again after this but not as large as pre-blog carcasses. Not yet at least. You and Plant are different in that you are blog spirits but also the major artists in a carcass. You are sort of a link between the two, then. When Carcass-3 was finished, I did not need either you or Plant afterwards. Not really, once more. This is one of the few times you’ve showed up in the meantime.

Marty:

I’m here at the request of Dr. Blood, whom I understand you [just] met in the heart of Sunklands, baker b. Tin S. Man.

bb:

I suppose I [just] did, yes.

Marty:

What is Sin City? Or Sinsity?

bb:

I believe it may be a psychic reflection of Chilbo west toward WESity. Your city after all.

Marty:

Yes, Lemmon and I played in WES. That’s where I was recruited by Dr. Blood to take part in the Sunkland Initiative. Plant came from the direction of, let me see, Sternberg I believe.

bb:

Originally Nowtown and Zen City, but they’re basically suburbs of Sternberg. *Were* suburbs. None of these places really exist now, except for the old core of Sternberg.

Marty:

I wonder if records still exist there of Plant’s stay. I’m not sure about WES and The Beetles. You have some photographs I understand. Sternberg, the city, was our drummer. Red. Dr. Blood.

bb:

Let’s see: WES or WESity was founded by a man who obviously, unconsciously knew of Carcass+2, Marty. His former club was in a MASH related sim[ name], and he also mentioned the desire to run a lemonade stand [in his SL profile] and then also quoted from Peewee’s Big Adventure [in same]. MASH represents mashup. Carcass+2.

Marty (pondering):

I can see this some, thanks to Dr. Blood. We, The Beetles, are at the end of Carcass+3. The End. And then at The Beginning of Carcass+2.

bb:

Kind of.

Marty:

This would be Abbey Road.

bb:

Yes.

Marty:

But Flattop is a mountain?

bb:

Yes. It is Yards Mountain. It use to be the most sacred of all Frank and Herman Park mountains, but I’m not so sure any more. It is a supposed place of contact. Like Devil’s Mountain, of course. Devil’s Tower, I mean.

Marty:

The End circles back to The Beginning. Grooving up slowly, this old flattop is. I thought the lyrics were nonsense… Lemmon didn’t tell me their meaning.

Lemmon:

The Bill. PAY THE BILL. (laughs loudly)

bb:

Come Together would be the coming together of the 2 who are to visit Devil’s Tower and witness the contact. The “over me” part of coming together would be the Tower itself. They are both creating art with representations of this mountain.

Hucka D. (entering):

Sorry I’m late. Apple cart spill over on Route 9, phew. Do you mind, actually, if I grab an okra cola soda before we begin?

bb:

We’ve already begun.

Hucka D.:

Oh. So you won’t miss me a bit more (smiles; gets up to go to okra coke machine).

Plant:

Marty must understand before the rest of us can understand.

Marty:

I understand that contact must be made. We must Come Together.*

bb:

And that’s your only role in Carcass+2. You’re not used in Carcass+1. But you’re back, certainly, in Carcass+-0. Realm of Lemmon for sure.

Lemmon:

UNCLE MEATWAD!

—–

* http://oldies.about.com/od/thebeatlessongs/a/cometogether.htm

This has been erroneously reported as the last track on which all four Beatles played together at the session; that record actually belongs to, appropriately enough, “The End,” recorded on August 8, 1969.