baker Blinker's Weblog

First and Second Life at least.

3rd point of triangle… August 3, 2012

Filed under: Carrcass+1,Uncategorized — baker Blinker @ 6:47 pm

Locke’s discovery and then re-creation of The Swan’s blast door map…

http://lostpedia.wikia.com/wiki/Blast_door_map

… this map (the LOST island itself, after all) and Blue’s “Concerto for Europe” being one and the same.

—–

Location of the hatches, with The Pearl being the central-most, and the location of the “?” on the blast door map.

—–

Julie and Locke “composing”.

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Is *this* Pietmond’s Peter SoSo?

Filed under: Carrcass+1,Uncategorized — baker Blinker @ 5:55 pm

After all, Peter SoSo has been linked with Poland and Duke’s Coach K through, for example, this BB Blog post.* And here we even have another famous Polish “K” name, and then compare Kieslowski with Krzyzewski: same # of letters; ends with “wski”.

—–

Perhaps interesting reference re Blue/White/Red. Personally I found Blue to be the most interesting but I’m certainly no film expert.** And certainly compare the two blue-black references of the two notes for this particular post; I’ve highlighted blue/black within each for emphasis.


http://burusi.wordpress.com/2010/05/16/krzysztof%C2%A0kieslowski-3/

—–

Hehe:

http://en.allexperts.com/q/Polish-Language-3388/letter-k-1.htm

—–

*

bb:

That’s Peter. Peter Dunne. A drawing of Duke’s Coach K. Is that [Pietmond’s] Peter, then?

Hucka D.:

Yes. He emerges from the Forest — Wake — through the TV. He is the 4th. (pause) More – than – a – day.

bb:

Wake [Forest] is the 3rd, and Duke is the 4th. Blue-black, like in the labyrinth.

Hucka D.:

Hold on. I forgot [the Martin part].

bb:

And the hecklers around Peter are taunting him here, like the townspeople *possibly* would have taunted their Peter about his racial heritage if he wasn’t so darned important to them.

Hucka D.:

Correct[ enough].

—–

**

Julie wears black and blue cloths throughout the film. The only exception is white gown at the hospital and a white T-shirt she sleeps in. Otherwise she always wears black and blue. Most often blue jeans, black top and a black jacket. She is black and blue, bruised on the outside as well as the inside.

3rd point of triangle…

 

Jefferson LOSTplane

Filed under: Carrcass+1 — baker Blinker @ 12:07 pm

Pretty brilliant.

http://vimeo.com/6291198

Is *this* Pietmond’s Peter SoSo?

 

Way Help On July 30, 2012

Filed under: Carrcass+1,Concreek,Uncategorized — baker Blinker @ 6:25 am

Great weekend of hiking. Explored and also expanded the Con Creek area, learning more about its mother flow Green Stream and another island there near the conjunction of the two water courses. Also returned to Billfork in Herman Park for the first time in several months, to find that Billy Spring had almost dried up as well like Con Creek. There was a *bit* more water in Con Creek yesterday than the last time I checked, but not much. The lower part of the creek was still totally dry — all past the section called The Straight. The former little pool next to The Hump on The Island was still devoid of water. I’m not sure when the flow will return; maybe not until next Spring even?? Fungi was a key subject in my last visit.

Hucka D.:

You will have fun this fall exploring Con Creek. And Green Stream — Green Stream I meant in particular. Mossmen’s heart of mythology. Baxter area. Rampant.

bb:

Baxter?

Hucka D.:

Help is on the way.

bb:

Heart of summer, Hucka D.

Hucka D.:

Creek, walk, feet, wet, Island, island, computer, island.

bb:

Mossman computer?

Hucka D.:

Yes. (pause)

bb:

I think I’ll call that island Dragonfly Island. Or Blue Dragonfly Island.

Hucka D.:

Mossmen hid in the tall grass[ there]. Interior was the computer. Built with breeze blocks.

bb:

From the Square Forest?

(Hucka D. doesn’t answer.)

bb:

Is the Square Forest instead the computer, Hucka D.?

(no answer.)

—–

bb:

What of the black and white stones found on the south side of The Other, Hucka D.?

The Other:

I am The Other. I am black and white. I have shadow. I am not The Island. I am shadow. I am Other.

bb:

Like this?

Other:

Call me Other. The Other.

bb:

So that’s the reasons the black stone is smaller. It’s like the picture[ above]. The Other and The Island[ people] as we know them up until then, headed by Jack.

Other:

There was a… split. In plot. The hatch and the cave. Jack wanted Adam and Eve to be formed in the cave. He thought he and Kate were Adam and Eve. In real life…

Hucka D.:

In real life, Kate is Eve as well… Evangeline I believe. This was not lost on the actor at the time. This is the girl. Real into fiction. Like Marion Crane in Kansas.

bb:

Yes.

Hucka D.:

Water was found. The survivors could[ continue to] survive.

bb:

Of course Eko carrying Sawyer is black carrying white, and in Forrest Gump it is opposite, with white, Forrest, carrying black, Bubba.

The Other:

Other.

bb:

So the stones were there[ at The Other] because of my recent research into LOST.

Hucka D.:

Yes. Other.

bb:

In Forrest Gump, Bubba dies, [while] in LOST, Sawyer lives. Barely.

Hucka D.:

The two[ movements into the jungle] collide here and fuse. Black and white.

bb:

Geez I’ll never figure this one out.

Hucka D.:

LOST is the spine. (pause)

bb:

Groundhog Day influences LOST… makes the days repeat. Jack is forever trapped in the day he woke up in the forrest.

Hucka D.:

That is the influence. Leading to water… caves… Adam and Eve. Lost father. Father. Coffin is station. Empty coffin is empty station… without meaning.

—–

bb:

What is the picnic in the jungle?

Hucka D.:

It is The Wall. It is the survivors trapped on the Island and fed like pets. Trapped like the others were in that meadow, in that trailer, building that wall. The people on the island were also building a wall of 10,000 stones. (pause)

—–

bb:

I was building a wall of 10,000 stones in Part A of 1Pink, Hucka D. But then I was set free as Let’s Rock faded.

(no answer.)

bb:

I was on the side of Wind River again, then, looking for answers elsewhere. This came as Mulholland Drive instead of Twin Peaks, the location I mean. Switcheroo.

Hucka D.:

Car. Wreck. Jail sentence over. But then: death. Death of A. Start again.

bb:

Let’s see… driving and wrecking the car. The car is part B. Regaining the car is… the key. The key to the car. Starting the car. Ignition. Failsafe.

http://lostpedia.wikia.com/wiki/Fail-safe

Crashing the car in B is crashing the plane in A — same thing. “Repeating” again. This is the only one, Hucka D., that could be held together like it did. It is one and it is pink and it is large.

Hucka D.:

It is large.

bb:

It’s probably the source of the Billfork Agreement.

Hucka D.:

*Yes.* Pennsylvania.

bb:

The Billfork Agreement said something like, “Get me to Pennsylvania and I’ll do the rest.”

(no answer.)

The Other:

Corsica.

 

Thoughts 05 June 16, 2012

Filed under: Carrcass+1,Table, The,Uncategorized — baker Blinker @ 7:06 am

“So it appears I can’t move on to Carcass-7 until I resolve the issue of crystallizing Carcass-4.”

Hucka D.:

Creativity moves forward despite problems. Carcass-4 was not suppose to be finished[ yet].

bb:

Wait. There’s a reference to concrete concerning The Island. Hold on…

Hucka D.:

Pheh.

—–

Main corridorEdit

Both entrances provided access to a primary corridor running the length of the station. About halfway along the corridor (across from the entryway to the living area) were two large obvious doors which had been hurriedly sealed with concrete, blocking access to the area of the station where the incident occurred. The area exhibited a high degree of magnetic attraction to metals, such as Jack’s key and Eko’s cross. Sayid attempted entry briefly and estimated the concrete behind the door was eight to ten feet thick. (“Man of Science, Man of Faith”) (“Everybody Hates Hugo”) (“What Kate Did”)

—–

Hucka D.:

You’re not going to figure this out tonight.

bb: (ignoring Hucka’s statement):

Residents signed up in particular for Carcass+1. That was their reason for being here. That was in the Billfork Agreement.

[no answer from Hucka D.]

bb (to reader or readers):

I know Hucka D. doesn’t like talking about the Billfork Agreement.There’re good reasons. I must do something, however. Go to Pennsylvania? I’m not going back to Pittsburg, so I instead head to Philadelphia. Philedelphea.

http://www.lib.unc.edu/blogs/ncm/index.php/2008/05/15/the-big-desert/

bb:

Whoa.

bb:

Hucka D.’s still not around. The Big Desert near Philadelphia, NC. This is where Phil went, Buie.

 

4th January 12, 2012

Should be able to catch up with the creation of blog post texts this extended weekend.

Pietmond *might* last until March and even into early April. What projects to do, however, if it does? Norris gallery remains unfinished… Crooked Building: set up Pietmond Branch of Crabwoo University there? Sinkology?

The Table must be developed, and I’m not sure what role Pietmond will have in that. Started looking over The Table today, specifically the part belonging to The Beetles. The Beetles are the 4th most important artist or group of artists on this Table, audio side that is. Their mythology will be developed in a future carcass, perhaps Carcass-7 but maybe not as well.

The Table represents a history of music as I know it in general. And video. It is a snapshot of a particular time and place.

Gong represents another limitation, along with Teepot. Move back to Teepot? Is that where I’ll develop The Table in Second Life instead?

“No.”

bb:

There’s Mr. Hucka Doobie the Bee. Howdy.

Hucka D.:

Clean, cheap fun.

bb:

Pietmond.

Hucka D.:

Yes. Cut back on wine two days a week. Cut back on coffee. Cut back.

bb:

I’m planning to use the Pietmond money to buy toys, Hucka D., like model train track.

Hucka D.:

Make sure everything is wrapped up properly.

bb:

And The Table must be developed.

Hucka D.:

The Beetles[ and all].

bb:

Yes. Marty still around?

Hucka D.:

Yes. You will work with him again. Simpsons.

bb:

The good news is that, thanks to the expansion of the mythology surrounding Frank and Herman Parks — protected parks after all — the Baker Blinker Blog will continue even if Second Life went bottom up tomorrow. It would slow down, true.

Hucka D.:

You would find other virtual realities to explore.

bb:

I don’t think I plan to. Except maybe for GoogleEarth.

Hucka D.:

Good.

bb:

But I must begin to focus on The Table.

Hucka D.:

So you’ve said.

bb:

Working out… toward the edge.

Hucka D.:

Have you found the 4th yet?

bb:

Um, no.

Hucka D.:

You better start looking (!) That is the lip[ of the hole].

bb:

Crawling or climbing out of Pietmond equals climbing out of the hole that is The Table?

Hucka D.:

Sinkhole. Synch Hole.

bb:

Maybe draw some impressions of Pietmond.

Hucka D.:

You will have to go to the town council for any further destructions and constructions, baker b.

bb:

Carcassonne?

Hucka D.:

Yes.

bb:

Anyone else?

Hucka D.:

Maybe Marty. Maybe Warren Zeevon. Maybe The Bill. Maybe Lemmon. Maybe Plant. Bring them back. That’s your Table.

bb:

The Beetles are The 4th

—–

Marty is also leader of the toy avatar grouping at Money Pot now. BUILD THE TABLE THERE. The Table becomes all important. CARCASSONNE. Look over photos of Norum, Pietmond, Teepot?

—–

Marty becomes defacto leader of the toys after the death of Lisa the Vegetarian at the Jonesborough Compound. He orders the evacuation of the compound when Money Pot is found, a 1000000 dollars buried within so the rumors fly. DO YOU THINK HE NEEDS THE MONEY? Michael Won buried the money there — that’s what Michael Too was scared about. SACRED. Houston we have a problem. YOU BETTER FIND OUT IF THE MONEY IS THERE. MARTY MAY THINK SO. Maybe Stan and Sid and Spit and Sue are looking for that money. WHAT ELSE. Sid would know — he would vibrate around money. He could feel it deep underground. Shrink way way down. Totally different set of rules. CARCASS-7.

—–

Marty:

We begin today for several minutes. baker b., explain the numbering system of the carcasses. Why not call them by their real names?

bb:

The term carcass is used to describe [delete name] within this blog.

Marty:

There it goes again (!) Self editing.

Lemmon:

OHMMMMM.

bb:

OK, sorry. Carcasses are [delete name]. No use. But there are the word for *that* within the blog. We are within the blog now, so the word can’t be written. Not really. Carcasses start with the advent of this blog, or early 2008. Carcass-1 is the first carcass produced by me while working on the blog as well. This would be late 2008. Carcass-2 and Carcass-3 formed in 2009. Carcass-4 in 2010, just before the founding of Pietmond itself. Carcass-5 came along this past summer, and then Carcass-6 right after that, ending in September. Carcass-7, I project, will be formed sometime in 2012, perhaps along with even another carcass.

All carcasses before this blog have a positive number instead of a negative number. The last carcass created before the Baker Blink Blog is Carcass-0. The carcass before that is Carcass+0. The carcass before that, even, is Carcass+1, which may be the largest of all. The one before that, Carcass+2, is also pretty large but not as much. Carcass+1 and Carcass+2 together probably form the peak of carcass creations, and this would be late 2006 and early 2007. Marty, you would be involved in, for example, Carcass+3, very similar to Carcass+2, and then Carcass+2. You would be involved in one tile of Carcass-1. You would be involved in several tiles of Carcass-3, and this would also be the time of your involvement with the Baker Blinker Blog through Sunklands, along with Plant. Plant belongs in Carcass-3 as well — you two are the main driving force of this smaller carcass. It also probably represents the peak of Second Life influence on the carcasses, which start to grow larger again after this but not as large as pre-blog carcasses. Not yet at least. You and Plant are different in that you are blog spirits but also the major artists in a carcass. You are sort of a link between the two, then. When Carcass-3 was finished, I did not need either you or Plant afterwards. Not really, once more. This is one of the few times you’ve showed up in the meantime.

Marty:

I’m here at the request of Dr. Blood, whom I understand you [just] met in the heart of Sunklands, baker b. Tin S. Man.

bb:

I suppose I [just] did, yes.

Marty:

What is Sin City? Or Sinsity?

bb:

I believe it may be a psychic reflection of Chilbo west toward WESity. Your city after all.

Marty:

Yes, Lemmon and I played in WES. That’s where I was recruited by Dr. Blood to take part in the Sunkland Initiative. Plant came from the direction of, let me see, Sternberg I believe.

bb:

Originally Nowtown and Zen City, but they’re basically suburbs of Sternberg. *Were* suburbs. None of these places really exist now, except for the old core of Sternberg.

Marty:

I wonder if records still exist there of Plant’s stay. I’m not sure about WES and The Beetles. You have some photographs I understand. Sternberg, the city, was our drummer. Red. Dr. Blood.

bb:

Let’s see: WES or WESity was founded by a man who obviously, unconsciously knew of Carcass+2, Marty. His former club was in a MASH related sim[ name], and he also mentioned the desire to run a lemonade stand [in his SL profile] and then also quoted from Peewee’s Big Adventure [in same]. MASH represents mashup. Carcass+2.

Marty (pondering):

I can see this some, thanks to Dr. Blood. We, The Beetles, are at the end of Carcass+3. The End. And then at The Beginning of Carcass+2.

bb:

Kind of.

Marty:

This would be Abbey Road.

bb:

Yes.

Marty:

But Flattop is a mountain?

bb:

Yes. It is Yards Mountain. It use to be the most sacred of all Frank and Herman Park mountains, but I’m not so sure any more. It is a supposed place of contact. Like Devil’s Mountain, of course. Devil’s Tower, I mean.

Marty:

The End circles back to The Beginning. Grooving up slowly, this old flattop is. I thought the lyrics were nonsense… Lemmon didn’t tell me their meaning.

Lemmon:

The Bill. PAY THE BILL. (laughs loudly)

bb:

Come Together would be the coming together of the 2 who are to visit Devil’s Tower and witness the contact. The “over me” part of coming together would be the Tower itself. They are both creating art with representations of this mountain.

Hucka D. (entering):

Sorry I’m late. Apple cart spill over on Route 9, phew. Do you mind, actually, if I grab an okra cola soda before we begin?

bb:

We’ve already begun.

Hucka D.:

Oh. So you won’t miss me a bit more (smiles; gets up to go to okra coke machine).

Plant:

Marty must understand before the rest of us can understand.

Marty:

I understand that contact must be made. We must Come Together.*

bb:

And that’s your only role in Carcass+2. You’re not used in Carcass+1. But you’re back, certainly, in Carcass+-0. Realm of Lemmon for sure.

Lemmon:

UNCLE MEATWAD!

—–

* http://oldies.about.com/od/thebeatlessongs/a/cometogether.htm

This has been erroneously reported as the last track on which all four Beatles played together at the session; that record actually belongs to, appropriately enough, “The End,” recorded on August 8, 1969.

 

Pietmond Lives? 03 November 2, 2011

We’re down to about 4 days to decide on Pietmond — whether it lives or dies. Thought I’d bring in Hucka D. for some more discussion on this. (pause) Hmmm, not here yet. (another pause).

Hucka D.:

Here. Michael Too from Michael Won. Michael Won carried you/pulled you through the other side of the “Art 10×10” — the Other Side. This is what you must protect. This is Yoself looking out for Yoself. This is what Lisa the Vegetarian desires to see you do.

bb:

I’m going to pull up the document where I write about Michael Too and my first and longest encounter with him. This would be from 4 years ago this October.

—–

bb:

Well, I can’t find it right now, Hucka D.

Hucka D.:

Michael Won viewed your plus carrcasses, many of them, and gave mainly very positive feedback. Said you could make a million bucks off your best creation. Let me count — that would be Carrcass+2 [in blog terminology].

bb:

Yes. I believe he really enjoyed that one. The Woods of Howl must be given light sometime, Hucka D. Light to the spooks.

Hucka D.:

Not now. Not yet.

bb:

OK. But Michael Won and I parted at the end, after about 3 years of friendship. All through the plus carrcasses, he was there. 2005, 2006, and then 1/2 of 2007. He was suspicious of my name as well, since he had met all bad examples of me-as-my-same-name in the past. I remember at the time thinking this association was a litttle mechanical, but now I seem to be doing the same with Michael Won and Michael Too — same name again.

Hucka D.:

Yes. Michael Won turns into Michael Too, who you met in the woods in 2007, just after Michael Won departed Blue Mountain. That was 4 years ago [as I said]. Getting back to Michael Won…

bb:

Getting back to Michael Won… he watches Carrcass+5 with me, Carrcass+4, I believe, Carrcass+3 [which he didn’t like as much as some of the others], Carrcass+2 [as stated], and then Carrcass+1 was being created all during that last 1/2 year we interacted. He was a co-worker. Basically my only co-worker, then. My house was falling into the woods, my back was still killing me, we were recovering still from a medical disaster, the wife and I. Times I wouldn’t want to relive. I had to dig a moat around my house, essentially.

Hucka D.:

The plus carrcasses helped get you two through. You Too.

bb:

Most definitely. Michael Won was also born very near Oblong, Illinois, and the collage series I created just after he left town was called Oblong, mainly in honor of him. It’s my most consistent collage series, I feel — the plus carrcasses and “Art 10×10” seemed to peak around the same time of 2006/2007, the mid point of each process.

Hucka D.:

Maybe you should interview Michael Won.

bb:

I don’t think he’d be interested. Michael Won has moved beyond Blue Mountain and beyond me. We had difficulties at the end.

Hucka D.:

And his friend: Grison. You’re friends on facebook though, right?

bb:

Yes. A facebook friend is a friend for life, Hucka D. The newest co-worker, the one which essentially replaced Michael Won, has unfriended me in that area.

Hucka D.:

Yes, interesting. Do you just think it’s you — that you are hard to get along? How do you put it: a minor monster from Jasper County, Illinois?

bb:

Partly me and partly them. We dance.

Hucka D.:

You do. But the important thing is that the newer co-worker, KK, is getting along better with you now. And you have an understanding supervisor. But a lot of this seems to point back to Michael Won. That era. Michael Won was a big influence on Carrcass+1, after he view Carrcass+2 and stated he thought it was worth a thousand dollars.

bb:

Actually that was a million dollars.

Hucka D.:

Isn’t that your Money Pot, then? The money you don’t have but which is yours anyway?

bb:

Could be. Michael Won also influenced Carrcass+2. I probably couldn’t have done either +2 or +1, my peak carrcasses and probably my peak creations, period, without him, or they would have been lessened without his input. I remember using The Pixies, for example. And of course his influence comes up in Carrcass-6.

Hucka D.:

Hicks, you mean. The Bill.

bb:

Thank you for talking with me about this, Hucka D. For being so understanding.

Hucka D.:

What I get paid for myself.

bb:

Then the compound where I met Michael Too and we had our longest conversation together is called Michael Won, confusingly enough. I remember thinking I can’t use those trails any longer. Now they’re opened up again. NORRIS is mine now.

Hucka D.:

Yours. Rocks.

bb:

I respect it more now because of this long absence.

Hucka D.:

You have The Freedom.

bb:

We don’t seem to be talking about Pietmond any longer, Hucka D.

Hucka D.:

No need to, see.

—–

Hucka D. seems to be gone again. The Money Pot as Carrcass+1, eh? Million bucks. That can’t quite be right, though. I believe Hucka D. would say it was, though. 1 Pink. Peak. And the newest carrcass, Carrcass-6, is a moon of this, like Charon is to Pluto. That’s the Piepodt part, that’s what Teepot was striving for and Pietmond seemingly received. It represents the end of Pietmond.

2:22 to 2:23. 2 to 3. Too to 3. Won to Too to 3. Today I met another old friend who was worried that he might come in 3rd, and thus last, in a town election he’s entered. Another reference to the ’68 presidential election? Could be. This friend also knows about the carrcasses, but the really old ones, from the 90s.

—–

NORRIS:

Michael Won to Michael Too to Wallace3 and done. Where is the 4th, man?

bb:

Hi NORRIS. I understand you are a company now and not just a woman.

NORRIS:

I am all women. Woman.

bb:

Do you know of POPE, NORRIS?

NORRIS:

POPE is the Great Cheops Pyramid, Mt. Tom.

bb:

That’s right in part. In the main.

NORRIS:

POPE is YOU.

bb (to himself mostly, after a googling):


http://www.appstate.edu/~brittanma/writing/10×10/booker18.html

Nah, that’s just old Booker T. Archive stuff. NORRIS?

NORRIS:

YOU.

 

Lion Dandy September 15, 2011

Filed under: Carrcass+1,Carrcass-6,Hucka D.,Sapphire,Uncategorized — baker Blinker @ 6:35 am

“Neck’s feeling pretty good tonight so I thought I’d attempt to talk to you guys.”

Hucka D.:

My neck’s feeling pretty good as well so I might attempt to talk to you guys as well.

bb:

Thanks, Hucka D.

Hucka D.:

Still pondering Piepodt I’ve heard.

bb:

Yes.

Hucka D.:

A new push will be heard. Where is the mainland energy now? In Heterocera? Corsica? Maebaleia? I don’t think it’s on Jeogeot.

bb:

Maybe not. But Piepodt must be on Jeogeot. Right?

Hucka D.:

Around Gong?

bb:

That’s perhaps what I’m thinking.

Hucka D.:

You must begin to gather new mythologies, baker b.

bb:

Well… the last year has seen us plowing through Torchwood and then Dr. Who and now Ballykissangel. With successful translations to the synchy world.

Hucka D.:

Carrcass-6, yes. Good job for sure. Too bad…

bb:

I know, I know.

Hucka D.:

The British are coming, the British are coming.

bb:

It seems so. Again and again.

Hucka D.:

Perhaps… sorry.

bb:

Perhaps Baker Bloch should head to the Lake District now.

Hucka D.:

That’s what I’ve been saying (!)

bb:

Sapphire not around tonight?

Sapphire:

No. Whattup?

bb:

Not much, Sapphire. How are you?

Sapphire:

Dandy. Like a lion dandy.

bb:

Monowai is the source of the pod, perhaps the p pod, the one I used for Pietmond tours last spring, Sapphire. And Hucka D.

Sapphire:

We must cut across planes quickly.

Hucka D.:

Sunklands, baker b. A concept that didn’t catch on. Not Gong but…

bb:

Sunklands, yes. I suppose you’re right.

Hucka D.:

Piepodt in Sunklands. In November. November 7th. Or sooner.

Sapphire:

Yes, baker b. Piepodt in Sunklands.

bb:

Thanks!

—–

Several layers to Teepot, forming in a general east to west sweep (like Amereca herself?). Teepot Springs and Pioneer Teepot came first — healing springs. Maybe called Elephant Springs at first. 4 fox feet supported Wilsonia Mountain. But that was around Fisher’s Rigg. Note: I should go back to the now split Fisher’s Rigg. Perhaps search for Arthur or Old Arthur. And I think Hucka D. and Sapphire were wrong: I believe Piepodt is really next to Gong. That’s the last development of Teepot, and where it truly goes beyond Pietmond. Baker is the last.

Ruustre has declassified, in his infidel wisdom, 2 carrcasses, or Carrcass+1 and Carrcass-6. They are PINK and GREEN [respectively].

http://www.flickr.com/photos/hindt3d/sets/72157619101630370/

PINK is much larger than GREEN. Or IS IT?

GREEN is a microcosm of PINK and in a bit visa versa. Not microcosm because IT IS same.


He stood in his empty perch above Gong and disavowed neighboring Teepot. This is Piepodt! This is different!

bb:

Is this the escape from Second Life? 2:23?

New angle? Not New Angel but New Angle. 4th. Lee.. Leigh. Man wo-man. Source of all? Pluramon?

—–

2:14pm:

I’ve kind of figured it out: It’s Pluto and Charon, once again. Has to be, I believe.

 

“So we better talk just a little tonight, April 6, 2011

Filed under: Carrcass+1,Uncategorized — baker Blinker @ 8:06 am

Hucka D.:

I would recommend staying in Pietmond, of course.

bb:

Over Crabwoo. Yeah, I can’t move there. But perhaps something else will open up in the future. If I go to Maebaleia/Satori, though, it might be there. Or at least in the Lake District.

Hucka D.:

A true Lake District and not a Pond District, like Heterocera has. But you made a decision, quite long ago now, to go with dry sinks over wet lake Linden mainland depressions. And you attempted a sort of town extension in Crabwoo last fall, before the whole place winked out in toto with the leaving of DazedAndConfused. So even if you were to create a new town just south of old Crabwoo, it would be like starting over. Nothing left there.

bb:

Still tempting. But if it is to be, then land will be there for the picking.

Hucka D.:

Back to Pietmond now.

bb:

A kind of mythology within the mythology seems to be developing, revolving around Bill the Adult. I’ll study up more soon, perhaps post more here on this blog about the subject this weekend.

Hucka D.:

Good.

bb:

And 1 Pink?

Hucka D.:

Peter’s Mound. Pietmond itself. Earth and Moon. The true pod. Pod Transit System. It unites Pietmond, binds the parts, east west south, together. Makes them whole. You know that 1 Pink is buried in Peter’s Mound. 1 Pink is Peter.

bb:

Much to think about there. Thanks.

 

Pietmond Chronicles? 02 August 25, 2010

Filed under: Carrcass+1,Uncategorized — baker Blinker @ 1:31 pm

Let us continue:

Watched by empty silhouettes
Who close their eyes but still can see

Blind like Lily White Lillith, then. Kate’s real name is Lily.

Let’s move to Shock The Monkey.

Hucka D.:

Hi. Well, it’s about shocking something blind and perhaps deaf and dumb as well back to life, to the world of the living and the breathing. A tool must be found to bridge the gap between death and life, as in channeling. In this case it is sign language — “Water.”

bb:

That simple, eh.

Hucka D.:

Ape the ape. Copy what you’re given by rote. Rote learning. Monkey learning. And you know this deaf/blind/dumb person is Jack as well. After the crash. So it is about teaching Jack once more. Jack must escape the wheel by understanding the wheel. The fire burns in the center.

bb:

Hmmm… Shutting everything down means turning off the senses of sight, of sound, and the ability to create speech. Shutting down a movie production. “Shutting everything down.”

Hucka D.:

Then time becomes a loop, an endless repeat. Like Groundhog Day. The Bill. How to break out of it?

*****

bb:

It’s the giant dwarf that shuts it all down. Or commands so. Opposites in one body. Green Giant… Red Dwarf. Green and red, then.

Maybe a Psycho reference since Normantown and Perkins are nearby, and Anthony Perkins played Norman Bates in that movie. And I went to school with a Norman Perkins.

Hucka D.:

You’re talking about Shock [delete state].

bb:

Yes. I also think of Gurdjieff’s system of shocks within an octave of psychological evolution. Letter Gap is also nearby. Reference to gaps between the 4 macro-letters of TILE?

http://www.gilmerfreepress.net/index.php/site/C88/

What the f—?

Hucka D.:

Letter gap, yes.

*****

Hucka D.:

Shocking the monkey is learning to play and read and compose correct and well music. And unifying Europe as a whole. Learning the gift of love. Love bridges inner and outer worlds.

*****

bb:

I wonder if the center of 1 Pink, being blue at times, is a symbol of the Federation, the central country of Mythos.

Hucka D.:

I don’t like talking about Mythos.

bb (continuing):

It is the Rat Hole, then. Vortextra.

Hucka D.:

Mummm… but: yes.

bb:

Creating good and well music, unifying Europe perhaps, equates with learning about the mysteries of The Island through The Map, which is also portrayed as blue. As seen in black light.

Hucka D.:

It is seeing without seeing.

bb:

And it, perhaps, is a map of 1 Pink as a whole. Something I’m still working on even today, 3 1/2 years after the start.

Hucka D.:

It is a Big Sink.

bb:

We have, at the start of the central of 3 regions, a car wreck. A past life is killed off. This is actually a fusion of *3* separate car wrecks — can I go into details?

Hucka D.:

The first is Chance, the second is Blue, the 3rd is Drive. Blue drives chance.

bb:

In this center, a bigger picture is seen as a former life is left behind. Federation… Rat. Beyond Wazob.

Hucka D.:

I suppose. Back to 1 Pink.

bb:

Shocking the monkey is shocking the person trapped in a time/space loop back to the living, the sighted world. The sounded world. The blue cube is opened. Blue Feather Cube. A key is found in a pocketbook from the far future. Science Fiction key.

bb:

LOST Season 2 ends. Exploded hatch door lands on beach.

Hucka D.:

Let’s move on[ buddy]. First let’s backtrack to “Big Time”. This is about a person whose ambition is too big for the town he grew up in. In ways, this is Phil Connors in GDay, confined to the small town of Punxsutawney, perhaps forever — he doesn’t know. Certainly seems that way.

bb:

Certainly seems that way to him.

Hucka D.:

But then as he learns the tricks and advantages of time loops, he states that it is starting to grow on him at a certain point in GD. The town. The town is growing to fit his ambition as a newsperson. He’s seeing that he can gnaw through time to his seeming advantage. But only love will lead him out.