Chatting, G November 7, 2008

“Hucka D., is the upcoming and last SF related animation collages in the Wheeler series the same as the New Angle, which may be the same as the Fourth Angle? Not New Angel, then, but Angle. 4th?

Hucka D.:

Here’s SF.

bb:

Hi.

SF:

Lee. Bee. South. One. Lovely. Love Lee. Beauty.

bb:

Do Mossmen control the 4th?

SF:

Character[istics] all split apart refracted and then united. New Angle. Complete. Squaring the Circle.

bb:

The energy source of The Arab is just such a configuration. Round in a square hole.

SF:

Lee. Unfulfilled.

bb:

Can I talk about Ozmo with you SF?

Hucka D.:

I’m back. You want to talk about Spider.

bb:

Yeah, I suppose.

Hucka D.:

Underneath the stream surface lies Wilson-Wheeler working backwards from the surface. This is underneathy balance. Time.

bb:

I know where the clock is.

Hucka D.:

Yup.

bb:

I *do* know where Clock is.

Hucka D.:

Your creek after all. Stream.

bb:

It was a gift. But from whom?

Hucka D.:

It would be nice if you polished Paradox II: The Chancelling up and put it on your gallery webbsite.

bb:

Alright.

Hucka D.:

You are at an endpoint but you’re always at such.

bb:

This is a little different.

Hucka D.:

Some different.

bb:

I don’t think Ozmo wants to know about RL. He wants to keep being trapped in his illusion of Kingliness. But there’s… what’s her name?

Hucka D.:

Rosey. Why don’t you tune in…

******

Hucka D.:

Well?

Arthur:

She was a mother figure. It’s Ross C., though. Not Rosey. But, yeah, we usually just called her Rosey.

Hucka D.:

Do you know this also stands for the Ross Sea? Do you know your Antarctic geography?

Arthur:

Some.

Hucka D.:

Well, it’s not needed here because this is a virtual sea. Ross C. was not your mother only as much as the sea is anyone’s mother.

Arthur:

She was my landlady and so much more.

Hucka D.:

She was also Drew’s mom. Did you know *that*?

Arthur:

Mrs. Sea. Hmmmm…. what do you think honey?

Bea who is not-Bee:

Honey it’s time for bed now. Maybe the cartoon looking bee should leave.

Arthur:

I just remembered something else. Your name’s not Bea, it’s Lea. Lee. Bee-lee. Billy. I’m remembering something… about a clock of some kind. Clock.

Bea-who-may-be-Lee-now:

Time for bed honey. Honey; bed. Bee must leave. Thank you Bee.

Hucka D.:

Dang, they’ve faded into the static again. Dang that Kentucky-Tennessee transition. What in the world am I going to do here? Oh well, I don’t have to stay.

*****

bb:

So what does that mean, Hucka D.? We now know that Arthur is married to Lee and not Bee. And that his former landlady is Mrs. Sea. Or Ross Sea. Which couldn’t be a landlady since it is a sea. A virtual sea, but a sea at that. Ross. C. This must have something to do with The Arab… and the power source. Squaring the circle. Square. Round like an eye, then, on top, or inside.

Hucka D.:

You surface that ship — you already have — and you get trouble. People wanted it down at the bottom of that sea for a reason. Pandora’s Box.

bb:

New Angle.

Hucka D.:

Yeah.

*****

P U M P K I N
P R O D U C E

Q 1 0 9
1 Q 9 0
0 9 Q 1
9 0 1 Q

Chatting, B November 3, 2008

bb:

We will continue Hucka D.

Hucka D.:

Marvelous idea.

bb:

It occurred to me tonight, Hucka D., that I have gone beyond [delete name], and when I say [delete name] I always slap myself in reprimand. But this time it may be important. Esbum is the key.

Hucka D.:

ESBUM.

bb:

I have created the new Rainbow Sphere. That ass [delete name] couldn’t do that. ESBUM is the new Rainbow Sphere.

Hucka D.:

Careful.

bb:

But this must be a secret project. Like Project Ozma.

Hucka D.:

That wasn’t a secret, but it covered a secret.

bb:

Ozma has a brother.

Hucka D.:

That she does. Ozmo.

bb:

I didn’t know about him.

Hucka D.:

Baker Bloch.

bb:

In the beginning, Baker Bloch finds out that he is Ozmo. It is written.

Hucka D.:

Winesap. Denison. *Bee*.

bb:

We return then. To a Mammoth idea.

Hucka D.:

Beehive. Temple. TILE. Mammoth.

*****

SF:

You go to Arthur, you go to Rhoda. You find Grassy’s brother. Ozmo.

bb:

Brothers?

SF:

Shark. Fonzo. Fozo… Ozmo.

bb:

Jump. Where little Peter Dunne did a jumbo leap. Monster. Training, then a Minster. Half monster, half minister. Island Grove.

SF:

Peter Dunne is a key. Lock and key it.

bb:

In the beginning…

SF:

He finds the book with the cross on it.

bb:

He dries it out. Not all wet, then.

SF:

No. He’s found something. Bear.

bb:

Ozmo, but not quite… yet.

SF:

In the book is a map of Egan. Bear. BEN. Then he is in the middle…

bb:

Of Ben!

SF:

That’s how it starts.

(to be continued?)

*****

bb:

SF, Hucka D., I think this book is a linking book, a poor man’s version or perhaps a full version. Takes Baker Bloch to BEN. Island Grove, perhaps. Peter Dunne invented LOST??

SF:

I wish to help. Rhoda. Grassy’s brothers, many in number. One named Fonzo or Ozmo. Involved in Q109. Rhoda knows. Found in Rhoda/Arthur. Go to Arthur. Bee Arthur. Bee. Take Hucka D. Grassy and Hucka D. go to Arthur. Explore Mammoth Cave which may be the same as the Temple. Pack their bags.

*****

Grassy:

Baker B., I got a letter from one of my brothers named Arthur. I call him Ozmo. But then this red liquid dripped out of it. Not blood, though. Like a dye or sumtin. I’ve enlisted Hucka D. to go with me to this place in Kentucky named Arthur that is my brother. That’s where I’ll find him. In a mechanic’s shop.

bb:

Grassy, do you think something is wrong with your brother Arthur whom you call Ozmo?

Grassy:

He’s into something deeper than all of us can suspect. Endless passage.

SF:

It is time for lanterns to be lit. Into the passage!

Hucka D.:

I am employed as well. But it’s back to the future in time.

Grassy:

Ozmo finds an opening. Just stumbling and bumbling about in his ways. A little piece of plastic candy is all he is.

SF:

No it is your only human brother. Like Marilyn on The Munsters. Monsters.

bb:

Ozmo is jumping the shark here. Blowing his head. His mind. Hack a Shak.

Hucka D.:

We’re close. The book isn’t wet any more. Not entirely. This one picture… Ben. Then… zowie zoom… LINK.

The Arab Found! (And Much More!) October 30, 2008

In a rather incredible aboutface, decided to keep the Rubi property after integrating a photography gallery into the rebuilt Temple of TILE. The name of the gallery (logically enough): The Gallery at The Temple of TILE. Already listed in the SL art gallery list as such (live database).

*Now* my art (basically collages) and Edna’s art (essentially photographs) are in separate galleries… separate yet still pretty close, with only a sub-sim sized forest separating the two. Draw your view distance out to 256 meters and you can see one from the other.

*****

Let’s just talk with Hucka D. on this subject, if he’s once again willing.

Hucka D.:

Just call.

bb:

Hello Hucka D. and happy Halloween.

Hucka D.:

Same to you sir.

bb:

You sound happier than the other night for certain.

Hucka D.:

I had to help press you into rebuilding the temple. The temple is important. Very much so. You did good. Edna is pleased as well.

bb:

Do you want to talk about any of the attached subjects? Obviously, I think the temple floating above the giant cross on the ground is of some significance.

Hucka D.:

Yes, The Arab formed the cross. Very interesting indeed. What do you think it means?

bb:

I think it stands for the cross of Christianity and all the attached, um, baggage. The temple rises above all that because it is not really a religion, although it has that aspect. It is, instead, a game/philosophy/religion, with philosophy having to have over a 50 percent cut in the deal at any one time.

Hucka D.:

What is the power source, then? The clear blue orb that emits so many of those particles in an hour’s time?

bb:

It must be attached to the mystery of The Arab in general. I merely centered the hole in the ship to contain this orb, and “accidentally” formed the giant cross on the land. That would be about 60 meters by 40 meters or so, I believe. So the power source seems directly tied into the cross motif.

Hucka D.:

It is the freeing of crystallized energy within Christianity itself. And this energy continually zooms toward the temple above. The ship also emits smoke particles from its smokestack on top of that. But the orb is the key.

bb:

I believe I’ve theorized it may be a representation of Earth, or perhaps the Mythos planet.

Hucka D.:

The two are tied, though.

bb:

It’s also squaring the circle again, I suppose, since the sphere was fitted into a square hole in the ship. Dark and light as well. Baby blue. See through. I only mention that because the word “Arnold” is now on the *front* of the Temple of TILE*

Hucka D. (prompting): Also…?

bb:

Um, The Wall. The song with the phrase “baby blue” in it. And The Arab may have been built at The Great Wall in Ziczac. Ziczac-zoe. Could it have sort of teleported down through The Great Wall to Rubi?

Hucka D.:

Oblio. Earth.

bb:

The Point of The Wall. Oblio is a symbol of Earth. Baby blue. The first song of the synch. Then we have, next up in the synch, the song “Goodbye Blue Sky”, as Oblio leaves the home nest to eventually reach the Pointless Forest.

Hucka D.:

He leaves The Arab. (pause) Whatever, the orb is Oblio. Round on the ends. High in the middle. Point.

bb:

Hucka D., I have a feeling we are entering some totally different space.

Hucka D.:

That is true enough. I’m so so glad you rebuilt the Temple. It will take you far.

bb:

I’m going to take a look at that ship again. I may get back to you tonight.

Hucka D.:

Ok.

*****

*****

bb:

Hucka D., I’m also thinking that this reminds me of the movie Sphere and the connected synchronicity MessiaenSphere. There was a ship in that movie that also carried an “alien” orb, the only thing alien about it, as it turned out. Much to the disappointment of the alien exploring crew sent down there to investigate. They thought the whole ship was of alien origin when it was in fact an American ship, but from the future. Encountered a black hole, perhaps caused by that sphere in the first place. Displaced ship again.

Hucka D.:

Harry went inside. Then Jerry showed up. Jules Verne again. Monster.

bb:

Taking it a step beyond the twin Messiaen Trek, if intellectually and not particularly aesthetically.

Hucka D.:

The Sphere talked back. It wanted to communicate. but instead it was turned into a *Monster*.

bb:

Hucka D., can we talk to the sphere on The Arab?

Hucka D.:

Not quite yet. SF is available, though.

bb:

Alright, that’ll do. SF?

SF:

Yes.

bb:

You mentioned Mythos and The Arab the other night in our chatting then. Can you tell me more now that The Arab has manifested on the Rubi land and formed a giant cross with the subway there?

SF:

Squaring of the circle again. I am at all corners. Control.

bb:

Are you the same as The Arab, then?

Hucka D.:

SF does not wish to talk further tonight, but another night he will.

bb:

Can you then answer more questions about The Arab tonight, Hucka D.? Or the temple, perhaps?

Hucka D.:

Power source. Energy, but needs to be controlled. *Cornered*.

bb:

This is where 9 becomes 1 instead of 8, isn’t it?

Hucka D.:

Yes. Point. Wall. *SID*.

bb:

Thank you.

SF, 2 October 26, 2008

bb:

SF, can you tell me more about Mythos currently? I have read over our last set of conversations. Obviously we can’t talk a lot about much of the information therein. You were pretty chatty then. Can you still talk in this forum about those kind of issues? Especially Mythos?

*****

bb:

Sorry I got sidetracked again SF. I was looking at this document about a reputed history of Atlantis on the spiritmythos site.

SF:

Ok.

bb:

Mythos is a so-called forbidden planet in the primary Sirius solar system. Can you tell us more about Sirius and why the planet is quarantined?

SF:

Arab. Contents.

bb:

Is the Arab at the bottom of the Ross Sea?

SF:

1 box in particular. Nautilus.

bb:

Oh. The Arab and Nautilus City are tied together?

SF:

Crystals.

bb:

Are they Atlantean crystals?

SF:

Power mismanaged. Then control. Grid control. A circle spinning… out of control.

*****

“Squaring of the circle! Just like we seem to have — or at least the symbolic representation occurs there — in the central city of Nautilus island.”

SF:

It is there. Control. Grid. Squaring the circle.

bb:

There are a number of things which caught my eye when running down the list of uses for the Atlantean crystals from that cystalinks.com site page. Teleportation and dematerialization, for one. But the use of crystals to store information, like a library, is one that perked my interest the most at the time. I see the gallery as a library of sorts, a glorified web site [itself]. The Edwardston Station Gallery site will encompass the art 10×10 but also the writing 10×10 standing behind it, and all other works clustered around the art 10×10.

SF:

Cluster.

bb:

Is the art 10×10, then, such a center, the central crystal?

SF:

I control. 4-square. 10-35-60-85. You are almost at 85, the 4th. Y.

bb:

Obviously Hucka D. and I need to look at those collages you refer to here quite closely in the coming days.

SF:

Squared circle.

bb:

Was The Arab itself suppose to be in the central pool of the Citadel? Or in another probability is it there instead of the much smaller, wrecked vessel? With the pink crystals?

SF:

You must look at probabilities. Pink.

*****

bb:

Sorry, I was looking over information in this next Atlantean crystal related link from the spiritmythos site. Can you talk about the Kali Rift or do you know about this?

SF:

Probabilities. Splintering effect. Separation of mutable from more permanent. Sirius.

bb:

Thank you.

SF October 25, 2008

“Hucka D., I was wondering if I could talk to S.F. through this blog?”

Hucka D.:

You may indeed. Here he is…

SF:

Hi.

bb:

Thank you for being present tonight SF. We haven’t talked in quite a while. Now to introduce you, you are obviously some kind of guardian or overseer of the 10×10 process, guiding it, most explainably, through the square overlapping the entire [circular] 10×10. 25 collages apart… that is, the 10×10 is made up of 100 collages, which is divided into 4 equal parts of 25 collages in a logical fashion. But this division doesn’t begin at the beginning, but 10 collages in.

SF:

I am old.

bb:

You appear in each equidistant corner, er, quarter.

SF:

I killed you yet you did not die.

bb:

Do you know of the TILE waterfall?

SF:

You forget.

bb:

Did 9 have to become 1 instead of 8?

SF:

[delete name] is reborn.

bb:

Is he in Gill’s Pier, Michigan?

SF:

T…

bb:

Can you help me with Egan and Map?

SF (softly):

Ben.

bb:

Haystack, perhaps? The Haystacks?

SF:

Mythos. Arab.

bb:

Do you know of the Mmmmmm’s?

SF:

Old.

bb:

Mossmen?

SF:

Quarter. I control. Corners… ville.

bb:

Did you pluck Wet Rock from the stone circle?

SF:

Put it back.

bb (to Hucka D.):

Hucka D., should we go look at these quartered collages, all of SF?

Hucka D.:

Most definitely!

bb (to the reader):

There’ll be only 3 of the 4 sets complete. The 4th will come midway through the Wheeler series. That’s why I felt the need to talk to SF tonight. SF is at all the corners.

Hucka D.:

SF controls.

*****

bb:

Hucka D., before we begin, I’m curious: is SF a rock god?

Hucka D.:

Zeppelin.