“Hucka D., I think I’m going to try something a little different for this photo oriented post. Ready?”
Hucka D.:
As I’ll ever be.
bb:
Let’s start, then, with the Wall of Ass. on the 15th floor, right at the top of the Big E.
Hucka D.:
First off, you need to clarify the difference between the Big E Gallery and the Big E.
bb:
The Big E is a 50 meter high giant E within the Big E gallery, which is a 60x60x90 meter rectangular box. The Big E Gallery takes its name from this “E”, which is fully visible within a large transparent section of the west side of the gallery. You can see it here. The Wall of Ass. lies on the next floor above the transparent section.
Hucka D.:
Alright. What’s in the Big E now? I know you had this set up at your Something To Chro About gallery in Healy this past summer.
bb:
It’s still a bit of a work in progress, Hucka D. The “Where are we on that?” exhibit occupies all the side floors below the first floor of the “E”. That exhibit, also housed in the CHRO gallery at one point, summarizes my SL existence up until my essential move to Jeogeot in May. That’s a dividing line.
Hucka D.:
True enough. You became a Jeogeotine, then. You found your true place in SL. S U N K L A N D S.
bb:
And this is what this cutting edge part of the Big E Gallery is all about. The continuing story of Jeogeot as I am experiencing it, and recording it through this Baker Blinker Blog.
Hucka D.:
The Big E within the Big E Gallery — still think you should call the overall gallery the Big Schwa Gallery, baker b.
bb:
I’ll think about it.
Hucka D.:
But the Big E is filled with the history of your interaction with the Jeogeot continent up to the discovery of Sunklands just past the first of August. Is that right?
bb:
Yes, because the Big E exhibit in Healy was set up at that time, just before I discovered the Sunklands, or Sunklands.
Hucka D.:
The move to Jeogeot in May was a pivotal point for you baker b. Sunklands is a part of that, but Sunklands is beyond the Big E, as I’m gathering.
bb:
We should also add that the Big E is a direct symbol of the Korean Channel of Jeogeot, which, first, Karoz was exploring in May-June 09, and then Baker Bloch took over to explore the rest in June. This switchover from Karoz to Baker Bloch is the same as the front (schwa) and back (e) of Big E itself. So in this way Karoz is the front of the E as it faces the outside from the gallery’s transparent part of the wall, and Baker is the back.
Hucka D.:
I’m assuming I can glean the nuts and bolts of this Korean Channel story by following the posts in this blog concerning that subject, earliest to latest.
bb:
Should be able to.
Hucka D.:
Now I’m looking at these [presently], and remembering how Karoz went up the Korean Channel, usually starting at the lower right sim of Xilted and moving up the coast, until one time he fell into a portal connecting Jeogeot with the next SL created continent of Maebaleia. The specific post I’m looking at is here. It looks like in the next post related to the Korean Channel subject, Karoz does manage to hike all the way up to the top of the channel, but this one where he moves to Maebaleia seems to be the switchover you talk about. Suddenly he finds himself in what we call the Blue Feather Sea of Maebaleia, its largest inland body of water. And then soon after this, as described in this post , he finds the Big E itself in the waters of the Blue Feather, a “dramatic re-creation” as it is called.
bb:
But it looks like *you* told him to call it this. And told me the same, thus the title of the post.
Hucka D.:
Anyway, Karoz didn’t immediately recognize the names of the sims on the Big E, because he was looking at the “e” side and not the “schwa” side, which he was much more familiar with, having hiked most of those sims now a number of times.
*****
The phantom side he was able to pass through to enter the interior of the Big E appearing in the Blue Feather Sea is the same one shown in the photo below, baker b. And that’s a picture of the Shamon island (Shamon Island?) to Baker ‘s right, and almost the same size as the 2d version that appears on the cube face in front of him. Since Karoz’s visit to this island, it has become the office of Head Mole Michael Linden. You can see some of his stuff in the photo here. You need to think about that further, baker b. This island basically lies on the line separating the 2 sides of your Big E… my Big E as well.
So that’s step 1 in our examination here: to explain the two sides of this “e” and how it is divided between Karoz (front or schwa side) and Baker Bloch (back or e side). The next several posts of the Korean Channel subject of this blog give additional tidbits of this story. In this last and latest post on the subject as grouped in this category, we have the same top of Big E pictured — the Shamon island. This is a division between front and back.
Also we should explain Karoz’s limited circle of influence as superimposed on the Jeogeot continent as a whole. Here it is explained as Dark Side of Oz within Oz as a whole, and also Psychogumma within Psycho as a whole. We know this is the length of an album (Pink Floyd’s Dark Side of the Moon and Ummagumma respectively) within the length of a movie (The Wizard of Oz and Psycho), according to your early audiovisual synchronicity finds, starting with your unique take on Dark Side of the Rainbow as contrasted to the normal definition described in The Definitive List.

*Which* serendipitiously brings us to the next big subject: rabbits!
12/20/09:
bb:
We will continue, Hucka D. Now if you travel through the entire Big E or Big Schwa inside the Big E gallery — all 10 stories — you emerge at the top at the Wall of Ass., the first part of which is pictured below. Baker Bloch is staring directly at the representation of St. Lemon of Troy, the patron saint of Sunklands perhaps. This is to the far right of the Wall of Ass. Above it is a picture of Jack Nicklaus, once greatest world golfer — since usurped by Tiger Woods. We’ll get to Tiger in just a second. The transition between the two would be the *clothing* of Sunklands, formerly naked if not shivering. That would only come about…
Hucka D.:
When Chilbo itself was formed. Chilling the land. Clothes were needed afterwards. But this would, of course, still be Chilbol or Chilbolton or Chilbotown and not present Chilbo. Pre-Linden (grid), then.
bb:
I suppose the nakedness would be revealed as bad, then, by St. Lemon of Troy. It reminds me of the Garden of Eden, and God making Adam and Eve ashamed of their nakedness. As I’m reading now (in an online article), this climate was created after they partook of the fruit of the Tree of Knowledge.
Hucka D.:
Direct link there, baker b. Keep going…
bb:
Well, St. Lemon, um, wrote his epistles or letters, which unfolded like a golf game through 18 holes. The playing of an 18 hole game of golf was like clothing oneself.
Hucka D.:
When *Woods* plays the 18 holes. Perfection. Better than Jack. Jack was seen as old and in the past. Nakedness. Something to be left behind and be ashamed of. The Great Bear or Golden Bear. But is this right? Was St. Lemon of Troy right to provide the good avatars of Sunklands with this knowledge — this fruit?
bb:
The lemon is the fruit in this case.
Hucka D.:
Yes. Lemons and limes. And oranges. Not apples?
bb (reading):
“Nudity on the beach is prohibited by…” Then it ends. Is this “God”, then?
Hucka D.:
The Bible is not God’s word. It is God’s word as interpreted by Man. It *covers* an older truth, just like Adam and Eve were themselves covered. Like the good avatars of Sunklands, then called Sinlands by some, or Sinklands. Sinking, sinking… gone, in their opinion. Lemon pulled them out, gave them clothes. Plaid was popular.
bb:
Let’s move, then, to the picture to the left of the “naked Nicklaus” where Tiger takes center stage. The picture was shot in what’s called the Redd Zeppelin, pointed out to me by Bacon Hellershanks, who is the gallery owner directly before Baker Bloch in this Art Galleries of Second Life list, now with way over 600 galleries included. Looks like in the meantime, though, a Badgirl Lyne has inserted herself between Bacon and myself — owner of Taijitu. Interesting. I gotta run over to Bacon’s gallery sometime soon and give him a 5 star rating, Hucka D.
Hucka D.:
Macon bacon.
bb:
Back to the Redd Zeppelin. I inserted a picture of a red clad Tiger Woods between Lennon and Marx, Groucho in this case. Karoz is staring directly at this central picture. We know that Lennon-Marx is a direct representation of the Rabbit Hole, Hucka D. (pause) Below this picture we have, then, a rabbit, or the figure of a rabbit. This is the cover of the Donnie Darko DVD. Or the official movie poster, I suppose. Within the figure of the rabbit we have the stars of the show, um, showing through. To its immediate right, we have a picture of an older Peter Graves, old like Jack Nicklaus, and also with a red shirt like both Jack and Tiger Woods. He has Donnie Darko rabbit eyes. Peter Graves stands for Peter’s Grave.
Hucka D.:
That would be correct. Peter Graves is Peter’s Grave, the one in Otaki Gorge. Peter’s Mound. The 18th hole.
bb:
Perhaps strange that in this blog I haven’t been able to complete the needed text for either of the Otaki Gorge related set of snapshots, Hucka D.
Hucka D.:
Then below Peter Graves and also Donnie Darko you have a picture of Peter’s Grave or Peter’s Mound itself, except the palm tree, the pin of the 18th hole if you will, is replaced by a mailbox that the Donnie Darko rabbit is standing next to. I think this collage was created on Halloween, baker b. A Halloween gift[, then].
bb:
Donnie Darko first encountered Frank the rabbit on a golf course, Hucka D. Don’t remember if the hole is named, though. He also finds the numbers written in magic marker on his arm when he wakes up the next day on the same hole. 28064212. Suppose that should be written 28:06:42:12, because it is a time. The time of the cycle of the moon, and the same as the time that Donnie Darko has to save the world by making sure he is himself killed. Moon, then, Hucka D.
Hucka D.:
We should move to the next picture in your blog post.

bb:
Hucka D., I’m wondering if Peter the Rabbit, or the Peter buried in Peter’s Mound or Peter’s Grave in the Otaki Gorge, is the same as St. Lemon.
Hucka D.:
No. He’s not.
bb:
Oh. Peter lived in Noru, though?
Hucka D.:
We should move into the elements of this picture. We now see the maps of the Rabbit Hole, for there are 2 needed since it is located in 2 places at once — Jeogeot and Maebaleia (continents). So although the bottom map says “Second Hole” here and the top map has “Rabbit Hole”, they are actually one Rabbit Hole, or two entrances to the same hole. This is how St. Lemon himself moved from Maebaleia to Jeogeot to spread his word of anti-nudity and so on. His revelations.
bb:
The Revelations of St. Lemon of Troy, then.
Hucka D.:
Correct. The Bible. The Babble. King James Version of the Necronomicon. Mad Arab.
bb:
Alright… On the lower map there is a 41 or 47 pictured as well not far from the Rabbit Hole, part 2.
Hucka D. (correcting):
There are no “parts” to the Rabbit Hole. Only the whole hole.
bb:
That’s fine. The Maebaleia hole version, then. Is this a 41 or a 47?
Hucka D.:
It is both and neither. But, certainly, you were suppose to make the association or ass. with the Room 47 of The Rabbits. That’s coming up in an instant.
bb:
The reason we know this *has* to have something to do with Lemon, is because *Lenin* was born in Ulyanovsk Oblast in reality (or First Life), and the Rabbit Hole is in this same sim in Second Life.
Hucka D.:
First and Second Life at least.
bb:
This same play on words is created in the album How Can You Be In Two Places At Once by Firesign Theatre, Hucka D. Lennon is substituted for Lenin on that album, as Groucho Marx is for the communist Marx. Red or Redd equals communism, then, Hucka D.
Hucka D.:
And Dr. Zhivago.
bb:
Then, to complete the pictures shown in this snapshot (below), we have a shot of the Rabbit Head in Villeneuve, more recently discovered (on Yd Island). We have already made the association between this mysterious Rabbit Head and the same pictured in the Donnie Darko movie poster, Hucka D.
Hucka D.:
They are the same. You still only have 1 month to plumb the mysteries of Yd Island. You better get hopping!
bb:
Thanks for that reminder, Hucka D. I’m also starting to think that the Rabbit Head of Yd Island represents the rabbit of Donnie Darko *shot* (in the eye). That’s the reason for the red oaks on the island. A theory, anyway.
Hucka D.;
Next picture!

bb:
Well, here we see two stills from David Lynch’s INLAND EMPIRE, one of the Laura Dern character just before she dies in the movie — well, the movie within the movie. And then one of 3 rabbits, also a type of movie within the movie, I guess. A *very* complicated movie, Hucka D.
Hucka D.:
It’s the greatest movie in the history of cinema, baker b.
bb:
You know, Hucka D., I don’t really doubt that too much. It’s as good as any.
Hucka D.:
There’s one other… guess we shouldn’t go there[, though].
bb:
Anyway, Laura Dern’s character has just been stabbed with a screwdriver, Hucka D. A *hole* has been made, and reinforced in other ways in the movie. Pomona is mentioned by the Asian whore while the Dern character is dying within the movie within the movie. This is, once more, the Rabbit Hole.
Hucka D.:
And Courtney Love’s Hole. They lived through it. I want to say that cuss word again…
bb:
Go ahead.
Hucka D.:
Nah, you go ahead.
bb:
The Rabbits of David Lynch’s INLAND EMPIRE mysteriously resided or reside in Room *47*, Hucka D., the same number that *might* have appeared near the Rabbit Hole of Maebaleia. Like you said, that ass. obviously should be made, even though it may look a bit more like a 41 than a 47.
Hucka D. (repeating earlier thought):
It’s both. And neither.
bb:
Then there’s a Courtney town in Love County, Oklahoma, Hucka D. “Courtney Love” again. We also know now, thanks to ESBUM, that The Rabbits lived or live in Oklahoma, Hucka D.
Hucka D.:
Yes.
*****
bb:
Oklahoma is Tiger?
Hucka D.;
It was red and it had something to do with the telling of time.
bb:
We better tackle the rest tonight, Hucka D. Let’s start from the far left, the end that matches the far right. This is a picture of St. Lemon of Troy again, but with the “lemon” behind his head now instead of front. According to [our] former thoughts, Hucka D., this lemon was shifted from front to back around a 1000 years after the saint’s death by citric acid overdose. Wonder if this has something to do with a front and back 9 now?
Hucka D.:
Yes, this is the front and back of the same representation. St. Lemon then enters First Life as St. John of Patmos. And this is where we can insert the Bunny Boy mythology in as well. This also reinforces that the bunny in question is a Bozo, baker b. It is from Sirius indeed. The Bozos knew about that as well as the Dogons.
bb:
Deep water there, Hucka D.! We better back up a bit.
Hucka D.:
Not as deep as it is on Sirius, my friend. That rabbit is from Sirius [I tell you]. 28 days to figure it out, baker b.
bb:
Well, we have to finish this post first before I can explore more of Yd Island, Hucka D.! So to complete we have the album cover of “Introducing Lemon” by Cheer Accident, but, as you might put it, no accident indeed that the album was named this, and with a picture of a man holding a trumpet in Sgt. Pepper style garb.
Hucka. D.:
No accident, no. [Not chance.] But Lemon or Lennon is instead holding a french horn on the Sgt. Pepper cover. It is instead neighboring Ringo Starr who is the trumpeter in the band. As Paul is the “I”, or the *Eye Star*, *see*, then Ringo is the “E” after the “I”, and then Lennon represents the “T”, transposed to a “V”. George is the “L” to complete. VILE. Or VEIL. But it’s also TILE, baker b. And that’s where [your] temple must figure in. Sgt. Pepper is the entrance to the temple. Solomon’s, but also others. Like yours. Deep.
bb:
And “love” is also pictured on the back of the Aoxomoxoa album by the Grateful Dead to complete. I should also clarify that the Beatles, to me, obviously want to imply the word LOVE through their hand positions on the back cover of the Sgt. Pepper album, Hucka D., with Ringo the “E”, Lennon the “V”, George the “L”, and then Paul as the completing “O”, the beginning and the end, or alpha and omega. I and O. IO.

Hucka D.:
And *we* better end as well. Thank you for talking to me about this, baker b.
bb:
You’re very welcome. Thanks very much to you as well.



And we thank *you*, Fleep!

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