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Chatting, L November 14, 2008

Filed under: Carrcass-1,Pink Floyd/Syd Barrett,SID's 1st Oz — baker Blinker @ 6:55 am
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“So Hucka D., if you’re going to meet Booker T. at or within The Jug, perhaps it would be best to start preparing. Obviously we need to talk about TILE. Does TILE link Ozma and Ozmo together?”

Hucka D.:

Quite right. The 4th dimension is involved.

bb:

Does the phraze “It never ends” relate to the endless surface of the Klein bottle?

Hucka D.:

You have the entrance.

bb:

We have established that you are the “y”, and, I assume, the “y” of Tyle. Can you tell me/us more about the relationship of TILE and Tyle, then?

Hucka D.:

Thomas Decker established the parameter of Oz as Mars. Baum furthered this through the animated Wizard Cube based on the Martian magic square. Among other things, POLK is revealed through this square. It is, in effect, the unseen blue and yellow sides of the square closed up at the poles. POLK represents closely clustered letters, while WIZARD represents letters that are far apart at both ends. Contrast, then. MaN is at the center, and we know also that this is The Man of SL at the former center of Linden World, before the transition of Alpha (A-M) to Beta (N-Z). Beta erases the centrality of MaN. In this way the “N” is removed and hidden. This is also in the TILE philosophy. It is Ozma. It is moved or transferred from the Realm of Letters [Wizard Cube] into the Realm of Numbers, lowering the former from 26 to 25 and raising the latter from 10 to 11.

That is all very well and fine until we come to the edge of the center, which is the octave of both Dark Side of the Rainbow and The Rainbow Sphere at this center. This is where TILE runs out of steam and must turn to another energy, which is Tyle. This is a blockage, then. Maybe.

bb:

Is this the same block that ass [delete name] mentioned, perhaps?

Hucka D.:

The “y” blocks and frees at once. Dichotomy. First you have red, green, blue, but then you must ground these in yellow/gold. The yellow/gold binds everything together that would otherwise be groundless and totally up in the air. Useless, in effect, or unpotentialized. Y grounds. Yellow. Me. Bee.

bb:

Tell me about yourself. And your relationship with Booker T.

Hucka D.:

He is what I was looking for. I am what he was looking for. But couldn’t find. He was looking at the Mobius strip, which only contains 3 and not 4. I am the 4th. Klein. Bottle.

bb:

What is the relationship between Bottle, Alabama and The Jug, West Virginia? And also Clines Island, Missouri if you wish?

Hucka D.:

The Jug is more central. Others are reflections. Mythos history is a tale of The Fall. Venus is unfallen. Earth: fallen. Venus is a probable Earth in past/present/future.

bb:

I wonder if this picture is an aspect of The Fall?

Hucka D.:

Yes. Citrinitas.

bb:

What does this have to do with “y”, which is, after all, The Yellowing or The Citrinitas itself.

Hucka D.:

Too true. I am The Fall. But I am a reverse Fall. Move forward in time and you erase The Fall. Move backwards and The Fall returns. Citrinitas.

bb:

When would this Fall occur, then?

Hucka D.:

1525.

*****
bb:

Hucka D., does Tyle represent the return of Ozma to her rightful place as ruler of Oz? Always ruler?

Hucka D.:

Yes. The 26th is returned to the 25. N to Oz. Alpha and Beta become equal [again?]. MaN.

bb:

I’m not understanding, once again, the line from TILE in Dark Side of the Rainbow to Tyle in SID’s 1st Oz. I know an important step along the way was the establishment of the Walt SIDney archetype in Walt SIDney’s Fantasia 2000. Arnold becomes Mickey, and the needed mate of Arnold becomes the complement Minnie. In this way, the lower energy of Barrett is grafted onto the higher and more fulfilled or lighter energy of Disney. Can you say more about this, then?

Hucka D.:

An agreement at this point had to be made, true. Else SID’s 1st Oz would have been impossible to recreate. Seals, pacts. Involving not just Barrett and Disney, but others through them, like Jethro Tull. Ian Anderson was certainly involved, although not consciously.

bb:

Meaning if you went up and asked Mr. Anderson about SID’s 1st Oz or described it, he wouldn’t have a clue.

Hucka D.:

He would get flashes of the truth, because he knows that A Passion Play, in hypertime, is his best work, if unpotentialized in this dimension. This is like Yes’ Tales From The Topographic Oceans as well, then.

bb:

Then 1973 is a key. A link between Earth and Sirius, it seems.

Hucka D.:

Earth and Oz as well.

bb:

Can you tell me/us more about how this link worked? I know it was vaguely described in the Booker T. Archive. Something about a Sirius infusion.

Hucka D.:

The effect would be like a sine wave, starting in around 1969/70 and ending in 1975/76. Certain groups rode this wave if you will, including Tull, but also Pink Floyd. Floyd used it to escape Barrett, ultimately through Dark Side of the Moon. Floyd’s story is a little different from Tull’s, although they overlap at Dark Side of the Moon and A Passion Play. But they’re not alone. I’ve mentioned Yes.

bb:

The two albums you mention were somehow attuned to each other. Life and death?

Hucka D.:

Dark Side of the Moon represent life and the pressures thereof — time, money, leading to insanity. Brain Damage. A Passion Play represents the flip side: journey through death. Regret. Would have done things differently if led over. Then rebirth into life at the end. Life and death. But heartbeats unite stylistically. Not intentional, though.

In terms of synchronicities, Dark Side of the Moon is the ultimate singular album. It’s imprint on The Wizard of Oz is so strong because of this. It *is* silver. Moon. Silver. Because it is so strongly silver, then the complement, A Passion Play, takes on the characteristics of the metallic complement: gold. Yellow/gold. But it can only do so by sublimating itself to an entire movie, which is Return to Oz. Dark Side of the Moon, in its almost absolute silver-ness, does not bow to The Wizard of Oz but rather subjugates the latter to itself, almost. Or so it may think in its isolated mode. A Passion Play harbors not the same arrogance of silver limitations. It knows the movie is the priority from the beginning. And as such it moves from the realm of unbroken singularity at the first to a four-square nature. This is *Tyle*. Each letter of Tyle represents one of the four separated pieces of A Passion Play, but also one of the four master regions of the SID’s 1st Oz synchronicity. It enters the synchronicity as gold because it is the master album of it.

And now this is represented by the 20×20 center of the Temple of TILE itself, and its own central spinning [Tyle] cube. The 4th wall has now been added back in.* Gold in color. Olive/Skillet to Gold.

*****

bb:

Gold is the Sun as well, complement to the Moon. The Moon can only be seen, actually, because of The Sun. But the Dark Side of the Moon contains no sunlight, or very little. The Sun seems to represent death, then. or illumination through death. The Dark Side is life, but light obscured. Light and dark, then, represent the opposite of what you might think of in traditional terms in this way. Correct?

Hucka D.:

Absolutely! But just as you cannot stare directly into The Sun you cannot have complete knowledge of the illumination when in the passage of the death state. Instead you must see indirect rays. Of a much more local variety.

bb:

This is a weird part though, Hucka D., and that is there is a realm beyond gold that has the same relationship to gold as silver does to gold on a lower level. Can you now speak of this as well? Booker T. couldn’t before.

Hucka D.:

As a whole, SID’s 1st Oz takes on the color green on this higher octave you speak of. A particular movie is involved, and, again, from the same year. That’s all I can say, essentially. The green color is related to the Mythos country of Wazob.

bb:

But we know what The Federation is as well in these terms. It sort of reaches over and grabs Wazob by the horns, taming it, or dimensionalizing it, um… turning it toward a different and totally unexpected direction from the viewpoint of inner Wazob. It was becoming overinflated.

Hucka D.:

I can say that.

bb:

1973 is involved again.

Hucka D.:

Yes.

bb:

I have a feeling we can’t say much more about that.

Hucka D.:

No. (makes pouty face to reflect his disappointment over this)

bb:

But it seems we must also keep hidden much of the information about Dark Side of the Rainbow and The Rainbow Sphere for now.

Hucka D.:

Correct as well. We must hide the fact that Dark Side of the Moon is a living entity. Silver. It is so silver that it is alive. And as such, it created The Rainbow Sphere, which it at least thinks is the true version of The Wizard of Oz. And it is to a quite large degree. Very large degree. Such is the power of one here.

A Passion Play takes that oneness to a new level, though, and subjugates itself to it. This is movement from the realm of the singular, unbroken album to the singular, unbroken movie. Silver to gold.

bb:

Tyle is gold, but is also the 4 colors of red, green, yellow, blue that combine to form gold?

Hucka D.:

Tull’s album enters the synchronicity as gold because it reflects the whole. But it can only do so when it itself is divided into 4 parts, mirroring the 4 master regions of the overall synchronicity. It makes sure this happens by turning “I” into “y”.

bb:

Does Mythos planet have to form in order for this to happen?

Hucka D.:

Yes.

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