baker Blinker's Weblog

First and Second Life at least.

Tennis Man September 30, 2012

Filed under: collage 10x10,Lower Austra,Uncategorized — baker Blinker @ 1:49 am

Friends are hard to come by.

THE END OF THE BAKER BLINKER BLOG. PLEASE JOIN US AT FRANK AND HERMAN EINSTEIN FOR FURTHER EXPLORATIONS AND EXCITEMENT!

 

Thoughts… September 3, 2012

Filed under: Uncategorized — baker Blinker @ 10:09 am

Soon Fall Hiking Season will be upon me. Excitement! Starting to attempt to make connections between the various stories developed around Frank and Herman Parks, and all of Haze County they are a part of. Energy of Second Life is faint; probably won’t buy more land anytime soon? (I don’t own or rent any presently, and haven’t since early August). Red 7 is complete.

It’s been a good but busy summer. Goodbye, however.

—–

 

Compare: August 23, 2012

Filed under: Concreek — baker Blinker @ 8:07 am

Continuing to read Sesh Heri’s The Handprint of Atlas, found this and highlighted:

Compare w/ this:

https://bakerblinker.wordpress.com/2012/08/01/damselfly-island/

 

Say Hi August 22, 2012

Filed under: Uncategorized — baker Blinker @ 6:09 am

“We’re going to deal with the Billfork problem next. I’m sort of surprised to see a Billfork – Carcass-7 relationship formed, Hucka D. Well… not surprised, but it’s another interesting turn of the tail or twist of the tail.

—–

“Sorry… became distracted.”

Hucka D.:

Hucka D.

bb:

Hi.

Hucka D.:

Hucka D. say hi. Hi.

bb:

Hi. (pause)

Hucka D.:

Hucka D. say hi. Hi.

bb:

Hucka D., K appears to be the Killer of the blog but may in fact be its Savior.

Hucka D.:

K. Okay. K.

—–

bb:

But, ahem, back to business.

Hucka D.:

But important business back to, hmm. Ahmm.

bb:

Something has switched offfffff.

—–

 

What we know about “K” August 21, 2012

Filed under: Uncategorized — baker Blinker @ 6:39 pm

K lives in a (w)hole in the epicenter of Lower Concreek, but he did not know it by that name. He may have manufactured the name, however.

K is related to Duke’s Coach K through the Fall 87 Scetchbook, which is an alchemical text that may be updated and is featured in part in Floydada.

K is blue-black in color, related to Julie of Blue who wears blue-black throughout the film, externally reflecting her internal, bruised nature (she’s black and blue inside).

K is Duke and so the 4th.

K is the 4th of July, also the 4th of Julie according to The Bill.

K is found early on in the Art 10×10 in the Greenup Series (pic 3).

K is called SoSo because he identified himself as such at one time (“I’m SoSo”).

K is blue(-black) but also red, and I suppose also white, identifying him as an American as well and turning all red-white-blue (up on a flagpole where he is hung like a flag). *However* in identifying himself as SoSo, he is Anti-American as well, who always lie about their medical condition and x-rays and say something to the effect that they are “*extremely* well”.

K is Blue and Red.

K is blue and red glasses, identifying his home as near Jacob I. Road.

K is Solomon, sometimes “Solo Man”, as in Gabriel going Solo from Genesis with his “Car” album and “Solsbury Hill” song about this decision to leave Genesis.

K is a Fallen Man as Solo Man.

K is Gabriel’s Mozo, and thus an alchemist who is both lowest and highest in one. He is Mercurious.

K is known as Salaman if follows that Solomon changes to Soloman or Solo Man.

K is a composite of several songs spanning several albums, and ending in Red Rain on So, but known to the split (double visioned) Red Rain as SoSo perhaps.

K is Polish, both Coach K and Director K of Red-White-Blue.

K is dead and K is alive.

 

SoSo/MoZo

Filed under: Uncategorized — baker Blinker @ 12:39 pm

http://davewainscott.blogspot.com/2011/01/peter-gabriels-mercurial-disruptive.html *

http://www.genericsubject.com/MBW/blog-2012/peter-gabriels-mozo-song.html

http://ldolphin.org/ouro.html

Study influences of Red 7 throughout BB Blog, including or perhaps beginning with C.N. Blinkerton’s Red Squirt 7 project and extending of course, through Peter SoSo and his Pietmond in Sunklands (first Aotearoa then Otaki Gorge).

http://alchemicaldiagrams.blogspot.com/2011/10/medieval-alchemy-aurora-consurgens.html

—–
*

Little more than a year after Rael [Christ-figure of “The Lamb Lies Down on Broadway.” a Gabriel/Genesis epic that DID come to pass]was conceived, Gabriel invented the “mercurial stranger,” Mozo.

He was partly based on Moses, but he was a fictional character who came from nowhere, disrupting people’s lives and causing changes and then disappearing, said Gabriel.

Mozo was part of a “master plan” dreamed up during his sabbatical in 1975-6 which he alternately wanted staged or filmed. Mozo was inspired by Aurora Consurgens, a medieval alchemical treatise based on The Song of Solomon. It was brought to light by Carl Jung who thought it the work of St Thomas Aquinas. The text is full of alchemical and religious symbolism and apocalyptic imagery. Jung saw alchemy and psychology as having the common aim of self-transformation. Gabriel was captivated by Jung’s alchemical writing.

“I have always been interested in transformation of one sort of another,” said Gabriel. “When Mozo came in he upset the status quo and the story is about the struggles after his appearance.”

Mozo was a catalyst for spiritual change. This was true alchemy of which changing base metal to gold was a mere analogy. Mozo was at the core of what Gabriel tries to express in music. Perhaps he sees himself as that mercurial stranger able to transform and uplift people. Gabriel wanted to scatter songs about Mozo over several albums, though they would make a complete story when put together. The songs were “Here Comes the Flood,” an apocalyptic vision: “Down The Dolce Vita,” a ship leaving harbour on an intrepid journey; “On The Air”: Mozo and his fantasy world; “Exposure”” the struggle for salvation;Red Rain:denying one’s inner feelings; and “That Voice Again.” judgment.

“Mozo is set in this fishing village, which is very upmarket, not quite Mediterranean, but something of that ilk,” explained Gabriel in 1987. “There is this volcanic sand which gives the sea a red colour. Everything is focused on the sea, which is very rough, and the great macho fear is to cross the water, which no one had done. Mozo is discovered in a tip, in a house built out of rubbish, on the edge of the city. And initially kids and passers-by are just very curious to look inside this little shed, and they see in it what they are most afraid of. They project their fears on to him because he is different. I remember in Horsell Common near Chobham, where my parents live, there was this beaten up old caravan, with newspapers in the windows. I used to think there was a witch inside there. And I think it probably fuelled this setting for Mozo. Eventually the people who have discovered Mozo in this hut on a tip get disturbed. They are upset by what they are seeing, by what they are projecting onto him and they try and kick him out. He escapes, and he proves later on that he has crossed the sea. So he goes from being the tramp underneath society to the hero on top of it. And then having been placed above other people he is challenged by the people who put him up there. They then have him as a target to push down to the bottom again.”

 

Candidate

Filed under: Uncategorized — baker Blinker @ 6:35 am

“It might have been a lively discussion at The Table tonight, baker b.”

bb:

Thanks Hucka D.

Hucka D.:

OWZ and Dr. Blood and Peter SoSo were all there. Most were complaining to Peter SoSo.

bb:

Is he the new, designated leader?

Hucka D.:

Yes. He is willing to pay the million dollars now. He already has, future-speak. He owns the idea of synching now.

bb:

I suppose he might be the one with the money to do so. Along with Marty of course.

Hucka D.:

Marty will not buy because The Beetles are… (pause)

bb:

Peter is the candidate chosen. Hold on, please…

 

Killer August 17, 2012

Filed under: Uncategorized — baker Blinker @ 1:43 pm

From the excellent Turn Me On Dead Man blog, one of the few remaining sites with a Dark Side of the Rainbow section (I *think* it’s still on the site somewhere).

http://www.turnmeondeadman.com/2012/02/gort-revisits-dc-60-years-after-day.html

Hucka D. (still around):

I’m still there.

bb:

Still standing. Are we in Hush Hush Sweet Baker (Blog) yet?

Hucka D.:

Close. Very close. Toy avatars. Mossmen. Mmmmmmm’s. Marbles. Marbles fall. Marble Falls. Dogpatch. Synchpatch. USA.

bb:

Thanks.

Hucka D.:

You still need me to help, but good to start over[ with a new blog]. This is the Baker Bloch Blog. Not the Baker Blinker Blog. It is hidden. Can you see it?

bb:

Not sure. Small legend will have it that the Baker Blinker Blog died in the center of Concreek. A Red 7 was the killer.

Hucka D.:

Blood colored. Like bloody rain. Bloody students. Bloody babies. No more.

bb:

Red 7 is the killer of us all.

 

More Thoughts August 14, 2012

Filed under: Carrcass-7,Sunklands,Uncategorized — baker Blinker @ 7:24 am

Haven’t decided exactly what to do with this blog. Logically I suppose I should give it up and create a whole new blog that isn’t Second Life centered but instead Real Life centered (as in Frank/Herman Park Real Life exploring stuff centered). Another option is just to make new posts of this particular blog private as needed and keep moving on here.

I don’t invest any money in Second Life now but I still have builds there: a gallery or two, a temple or three, and some other random places. Most of these are found on Hilo Ridge in Lower Austra. Hilo may also be the same as Philo. So I still have a “center” in Second Life, a type of presence. But virtually speaking I don’t explore there any longer except in spot locations now and then when I get bored of doing other things. I’ll keep popping over to Sunklands and the old Pietmond grounds and other locations there every now and then. I’ll still manifest in Noru and Greater Chilbo in general once in a while. Still will check in with Yeot (Teepot/Boris location) every week or four. Most of all I’ll peruse the cheapest mainland locations for sale.

Presently, my “art” budget for the month, about 50 dollars as I’ve determined, is tied up in music and video purchases/rentals. This is for a/v synching purposes. The Billfork Agreement prevents me from talking about this subject too much. In the blog, as regular reader knows, synchs are codenamed carcasses. I’ve just created a recipe for Carcass-7, the last in this line of 37 or 38 works so far, and will start to tape this week. Very exciting. The formation of Carcass-7 seems to indicate the end of this blog, however.

Why do I feel this? Basically I need to frame the blog so I can begin to figure out what the heck it is and how to organize all the thoughts and information inside. This is the Baker Blinker Blog, created from 2008 to 2012. Put a tombstone on it. So I might as well call it the end and go ahead from there. What is all this about?? Essentially I think it is about synchronicity, pure and simple. Second Life was a place, especially toward the beginning, that provided a great backdrop for synchronicity study in the shape of this blog, or recorded or attempted to be recorded in this blog. Now this energy has shifted elsewhere, mainly to real life explorations in Frank/Herman Parks, but also, in the future, other attached locations within the same county, *my* county. I am tempted to call it Haze County.

Why the needed secrecy? I’ve mentioned the Billfork Agreement, which calls for this. Also I don’t want the general public to know the whereabouts of me and my parks, in tandem with it. The Billfork Agreement suggests that secrecy, when in doubt, wins out over exposure. By blocking off a part of my life in this way, I give the hidden side extra energy because I don’t have to deal with this public scrutiny. This probably makes it akin to The Residents’ Theory of Obscurity connected with their own very mysterious figure known as N. Senada.


http://en.wikipedia.org/wiki/N._Senada

Senada’s “Theory of Obscurity” states that an artist can only produce pure art when the expectations and influences of the outside world are not taken into consideration. Senada and his theory are referred to almost exclusively in connection with avant garde musical group The Residents.

All participants in the Second Life experience are called Residents, known collectively as The Residents I suppose. Curious synchronicity once more.

The peak of My Second Lyfe experience comes in the region known as Sunklands, containing mysterious (once again) sinkholes in the southwest part of Jeogeot, the largest mainland continent of this world. In a probable direction, Sunklands was much more fulfilled than it is in this recorded world-reality. It was in Sunklands that various variants were gathered together to create a Sunklands Initiative, which I first became aware of (along with the region itself) in August 2009. These variants included both Little Robert Plant Variant (a variant of Robert Plant, former led singer of Lead Zeppelin), and also Marty, a variant of Paul McCartney. LRPV was the more formed and solid of the two, being the main guest spirit on this blog for a considerable number of months (Hucka D., of course, being the house blog spirit, so to speak). But many questions still remain unanswered about the Sunklands Initiative. It appears to have been primarily organized by Dr. Blood, whose physical appearance seems similar or perhaps identical with the Tinman of Oz of “Wizard of Oz” fame. Dr. Blood seems mainly attached to the Aotearoa sink, one of the six identifiable sinkholes in the region. Little Robert Plant Variant or LRPV comes from the Sternberg metro area according to legend, which is just north of Sunklands, and departed from his main variants’ path in this city by giving up the Zeppelin Tube, containing the sealed energy of the group itself. He gave the Led Zeppelin group energy to the Initiative, then (in essence). Marty also comes from outside Sunklands, but, once again, from nearby, this time to the west in a place called WES and West End. A departing point from the main variant band, once more, occurs here, with the decision to keep the name Beetles instead of Beatles. In *this* reality, the insects are called beatles instead, perhaps. Early in their Second Life career, The Beetles and Marty had to “remember” the events of the Lennon killing, which led them to the Nautilus continent and Roostre’s Peninsula, where they reexamined the Sea of Green through the Yellow Submarine. The Sea of Green is the same as the Valley of Nye, whereupon [spied on] by the Eye of Rye.

Hucka D.:

Let me interrupt you here, baker b., for we have to move on to other variants tonight as well. One is OWZ, pronouced like “owes” as in someone owes someone something. He has recently appeared on this blog in connection with The Table.

bb:

But it was known that Marty and Little Robert Plant Variant appeared in the blog at this time in preparation for Carcass-3. Carcass-3 is where Sunklands and Second Life itself peaked for me, but then returned its energy to carcasses afterwards. Carcass-3 is a small, single movie affair. The story is mainly in the synchronicities surrounding it and leading up to it. The story is mainly found in Sunklands.

Hucka D.:

From Carcass-3 you can know everything.

bb:

Then Carcass-4, 5, 6 are now apparently referred to as the Pietmond carcasses, because they are composed when I was involved with that land, which, of course, is also a part of Sunklands.

Hucka D.:

It is a struggle of carcasses to escape the gravity of Your Second Lyfe. The energy was collected into Pietmond by that time, which began to make it easier. Carcasses grew again; your attachment to Second Life as a whole, at least outside of Pietmond, lessened.

bb:

And now it seems I’ve escaped altogether, and the Carcasses have come out of the clouds and into the open air again. Carcass-7 is flying.

Hucka D.:

Carcass-7 is important[ true].

 

Thoughts, News, Ideas August 13, 2012

Filed under: Carrcass-7,Uncategorized — baker Blinker @ 5:17 am

Have finished at least the table for Carcass-7, the ironically named new a/v synch. Will finish it probably next week.

Hucka D.:

It is good. It is great.

bb:

Thanks, Hucka D. Good and great to still see you around.

Hucka D.:

We near the end, get to the end, and then begin again. Howdy.

bb:

Is this a new blog?

Hucka D.:

Yes (!)

bb:

But it’s the same as the old blog[ it seems].

Hucka D.:

No. You still have a trickle of readers here. Your Second Lyfe is pretty dead, true, but things may still happen there.

bb:

Here’s my idea(s). Carcass-7 is what the blog was aiming for all along.

Hucka D.:

In part.

bb:

Maybe another one behind it.

Hucka D.:

You have found a[ unpronouceable word].

bb:

I think so. Maybe.

Hucka D.:

Take a look at that again tonight.

bb:

I will.

Hucka D.:

Show the world if you wish.

bb:

I don’t think anybody in the world is that interested any more[ in what I do].

—–

Hucka D.:

Give it a name[ others can understand].

bb:

Redblue.

Hucka D.:

Hucka D… sorry.

bb:

Hucka D., do you still have access to the memories of Charles Nelson Blinkerton?

Hucka D.:

Yes (!)

bb:

CNB mentioned working on a Red Squirt 7 that he never finished. Hold on…

—–

bb:

Looks like we talked some about Charles Nelson here in this July 2011 post Hucka D.

bb:

Well, I suppose I could just start reading the blog from the beginning again, Hucka D.

Hucka D.:

Frank. Herman. Parks. Good idea. Not a great idea but good.

bb:

Should we instead just end this blog??

Hucka D.:

It’s already ended. It’s already begun[ again].